A work in constant progress (and occasional regress).
Birthplace:
Stuttgart, Germany
Born:
November 11, 1942
Director:
1969 Der deutsche Kleinstädter
1971 Rote Fahnen sieht man besser
1985 Obituary of a Beast
1988 Der Indianer
1992 Das Heimweh des Walerjan Wróbel
1992 Mortal Enemies: From Death and Survival in Stalingrad
1996 2 ½ Minuten
1997 Woanders scheint nachts die Sonne
1999 Gloomy Sunday
2001 Eine öffentliche Affäre
2002 Kollaps
2003 Blueprint
2005 Zeit der Wünsche
2008 Leo und Marie – Eine Weihnachtsliebe
Screenplay:
1969 Der deutsche Kleinstädter
1971 Rote Fahnen sieht man besser
1985 Obituary of a Beast
1988 Der Indianer
1992 Das Heimweh des Walerjan Wróbel
1992 Mortal Enemies: From Death and Survival in Stalingrad
1996 2 ½ Minuten
1997 Woanders scheint nachts die Sonne
1999 Gloomy Sunday
2001 Eine öffentliche Affäre
2002 Kollaps
2003 Blueprint
2005 Zeit der Wünsche
2008 Leo und Marie – Eine Weihnachtsliebe
Script:
1969 Der deutsche Kleinstädter
1971 Rote Fahnen sieht man besser
1985 Obituary of a Beast
1988 Der Indianer
1992 Das Heimweh des Walerjan Wróbel
1992 Mortal Enemies: From Death and Survival in Stalingrad
1996 2 ½ Minuten
1997 Woanders scheint nachts die Sonne
1999 Gloomy Sunday
2001 Eine öffentliche Affäre
2002 Kollaps
2003 Blueprint
2005 Zeit der Wünsche
2008 Leo und Marie – Eine Weihnachtsliebe
Writer:
1969 Der deutsche Kleinstädter
1971 Rote Fahnen sieht man besser
1985 Obituary of a Beast
1988 Der Indianer
1992 Das Heimweh des Walerjan Wróbel
1992 Mortal Enemies: From Death and Survival in Stalingrad
1996 2 ½ Minuten
1997 Woanders scheint nachts die Sonne
1999 Gloomy Sunday
2001 Eine öffentliche Affäre
2002 Kollaps
2003 Blueprint
2005 Zeit der Wünsche
2008 Leo und Marie – Eine Weihnachtsliebe
2011 Wunderkinder
Director:
1970 Scene of the Crime
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.