A work in constant progress (and occasional regress).
Birthplace:
Burlington, Ontario, Canada
Karl Janisse is a Canadian cinematographer, camera operator and camera assistant for film and television productions.
Associate Producer:
2019 Freelancer
Camera Operator:
2017 The Carmilla Movie
2019 Freelancer
Cinematography:
2016 Dead Rush
2017 The Carmilla Movie
2019 Freelancer
2020 The Statement
???? When Everything Was Blue
Director of Photography:
2015 The Hexecutioners
2016 Dead Rush
2016 Late Night Double Feature
2017 The Carmilla Movie
2018 The Hoard
2019 Freelancer
2020 The Statement
???? When Everything Was Blue
First Assistant Camera:
2013 Antisocial
2014 The Drownsman
2015 Andron
2015 The Hexecutioners
2016 Dead Rush
2016 Late Night Double Feature
2017 The Carmilla Movie
2018 The Hoard
2019 Freelancer
2020 The Statement
???? When Everything Was Blue
Producer:
2013 Antisocial
2014 The Drownsman
2015 Andron
2015 The Hexecutioners
2016 Dead Rush
2016 Late Night Double Feature
2017 The Carmilla Movie
2018 The Hoard
2019 Freelancer
2020 The Statement
???? The Devil's Tears
???? When Everything Was Blue
Second Unit Director of Photography:
2013 Antisocial
2014 The Drownsman
2015 Andron
2015 The Hexecutioners
2016 Dead Rush
2016 Late Night Double Feature
2017 The Carmilla Movie
2018 I'll Take Your Dead
2018 The Hoard
2019 Freelancer
2020 The Statement
???? The Devil's Tears
???? When Everything Was Blue
Writer:
2013 Antisocial
2014 The Drownsman
2015 Andron
2015 The Hexecutioners
2016 Dead Rush
2016 Late Night Double Feature
2017 The Carmilla Movie
2018 I'll Take Your Dead
2018 The Hoard
2019 Freelancer
2020 The Statement
???? The Devil's Tears
???? When Everything Was Blue
Series Director:
2024 Unknown 9: Passage
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.