A work in constant progress (and occasional regress).
Alias:
זיאד בכרי
زياد بكري
Birthplace:
Jaffa, Palestine
Born:
March 27, 1980
Ziad Bakri is a Palestinian actor and director. He starred in SCREWDRIVER, which enjoyed a busy festival career and was nominated for Best Film at the Venice International Film Festival, Malmo Arab Film Festival, and El Gouna Film Festival. Ziad's SCREWDRIVER won Best Film at the International Festival of Mediterranean Cinema in Montpellier (Cinemed) and the Bosphorus Film Festival. It also won Best First Work and Best Actor for Ziad's role at the Mediterranean Film Festival of Tetouan. For his role in the French-Greek film THE BLIND SUN, which screened at several prestigious international film festivals, Ziad won the Best Actor award at Fantasporto. In 2022, he starred in the Netflix film THE WEEKEND AWAY, and in 2023, he starred in the Italian film PROFETI, directed by Alessio Gremonini, who won Best Screenplay at the Golden Globes, Italy, and starring Donato Demita and Marco Horanich. Ziad recently finished shooting THE STRANGERS' CASE, directed by Brandt Anderson whose film REFUGEE won the Jury prize at the French Rivera Film Festival and starring Omar Sy (THE INTOUCHABLES), Yasmine Al Massri (CARAMEL) and Angeliki Papoulia ( THE LOBSTER). His upcoming projects also include THE SAND CASTLE, directed by Emmy-nominated director Matty Brown and starring Nadine Labaki and child Zain Al Rafeea, who collaborate for the second time after their film CAPERNAUM, which was nominated for Best Foreign Language Film at the Academy Awards. Moreover, Ziad is not only an actor but also a filmmaker. He wrote and directed the short film THE SALT FISHERMAN, which played at the Dubai International Film Festival (2011) and earned him a Best Director nomination.
Director:
2011 The Salt Fisherman
Writer:
2011 The Salt Fisherman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.