Noé Bach

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Camera Operator:
2016  The Geneva Convention
2020  Flawless

Cinematography:
2016  Tezen
2016  The Geneva Convention
2019  Bulles d'air
2020  Flawless
2021  The Time of a Night
2022  The Voiceless

Color Timer:
2014  TGV
2016  Tezen
2016  The Geneva Convention
2019  Bulles d'air
2020  Flawless
2021  The Time of a Night
2022  The Voiceless

Director of Photography:
2014  After School
2014  TGV
2015  Première nuit
2016  Tezen
2016  The Geneva Convention
2016  The Red, White and Blue of My Hair
2016  Thirsty
2016  Villeperdue
2017  Deaf Hearts
2018  La merde
2018  Pauline Enslaved
2018  Raging Royan
2019  Bulles d'air
2019  Isadora's Children
2019  Tuesday From 8 to 6
2020  Flawless
2020  Just Kids
2021  Anaïs in Love
2021  Beasts
2021  Her Way
2021  So What If the Goats Die
2021  The Time of a Night
2022  The Voiceless
2022  Time's Up
2023  Amore Mio
2023  Animalia
2023  Derive
2023  Little Girl Blue
2024  Wild Diamond
2025  Filmlovers!
????  L'enfant bélier

Gaffer:
2014  After School
2014  TGV
2015  Première nuit
2016  Tezen
2016  The Geneva Convention
2016  The Red, White and Blue of My Hair
2016  Thirsty
2016  Villeperdue
2017  Deaf Hearts
2017  Jeune Femme
2018  La merde
2018  Pauline Enslaved
2018  Raging Royan
2019  Bulles d'air
2019  Isadora's Children
2019  Tuesday From 8 to 6
2020  Flawless
2020  Just Kids
2021  Anaïs in Love
2021  Beasts
2021  Her Way
2021  So What If the Goats Die
2021  The Time of a Night
2022  The Voiceless
2022  Time's Up
2023  Amore Mio
2023  Animalia
2023  Derive
2023  Little Girl Blue
2024  Wild Diamond
2025  Filmlovers!
????  L'enfant bélier

Director of Photography:
2023  66-5

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.