A work in constant progress (and occasional regress).
Camera Operator:
2016 The Geneva Convention
2020 Flawless
Cinematography:
2016 Tezen
2016 The Geneva Convention
2019 Bulles d'air
2020 Flawless
2021 The Time of a Night
2022 The Voiceless
Color Timer:
2014 TGV
2016 Tezen
2016 The Geneva Convention
2019 Bulles d'air
2020 Flawless
2021 The Time of a Night
2022 The Voiceless
Director of Photography:
2014 After School
2014 TGV
2015 Première nuit
2016 Tezen
2016 The Geneva Convention
2016 The Red, White and Blue of My Hair
2016 Thirsty
2016 Villeperdue
2017 Deaf Hearts
2018 La merde
2018 Pauline Enslaved
2018 Raging Royan
2019 Bulles d'air
2019 Isadora's Children
2019 Tuesday From 8 to 6
2020 Flawless
2020 Just Kids
2021 Anaïs in Love
2021 Beasts
2021 Her Way
2021 So What If the Goats Die
2021 The Time of a Night
2022 The Voiceless
2022 Time's Up
2023 Amore Mio
2023 Animalia
2023 Derive
2023 Little Girl Blue
2024 Wild Diamond
2025 Filmlovers!
???? L'enfant bélier
Gaffer:
2014 After School
2014 TGV
2015 Première nuit
2016 Tezen
2016 The Geneva Convention
2016 The Red, White and Blue of My Hair
2016 Thirsty
2016 Villeperdue
2017 Deaf Hearts
2017 Jeune Femme
2018 La merde
2018 Pauline Enslaved
2018 Raging Royan
2019 Bulles d'air
2019 Isadora's Children
2019 Tuesday From 8 to 6
2020 Flawless
2020 Just Kids
2021 Anaïs in Love
2021 Beasts
2021 Her Way
2021 So What If the Goats Die
2021 The Time of a Night
2022 The Voiceless
2022 Time's Up
2023 Amore Mio
2023 Animalia
2023 Derive
2023 Little Girl Blue
2024 Wild Diamond
2025 Filmlovers!
???? L'enfant bélier
Director of Photography:
2023 66-5
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.