Alejandro D. Orengo Colón

Alias:
Alejandro David Orengo Colón

Alejandro D. Orengo Colón is a Puerto Rican director and editor, born in Rhode Island and raised in Mayagüez. He holds a Master’s in Film Directing from the Savannah College of Art and Design and works as an editor on short films, music videos, commercials, and documentaries, while also developing personal projects. His films, such as Alex y Fabio Ya No Están (2013), Anacrusa (2022), and Asterión: ó Si Te Metes Con El Toro (2024), have been screened at international festivals. He has also participated in Cortaditos, an initiative by the Alliance Française of Puerto Rico, with Asterión: ó Si Te Metes Con El Toro (2024) and Caen Hojas Blancas (2025). As an editor, he has worked on El Jacho: Una Leyenda Puertorriqueña (2024), which won multiple awards at the LUSCA Film Festival, as well as En Duda, Siempre a la Izquierda (2024) and Trapo Sucio* (2024). He is currently developing his first feature film in collaboration with director Edwards Andrés Martínez.

Additional information:

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Camera Operator:
2018  Shapeless, Like Water

Digital Imaging Technician:
2014  Díptico
2014  The Obsidian Tears
2018  Shapeless, Like Water
2024  El Jacho: A Puerto Rican Legend
2025  Esta Isla
2025  When in doubt, go left

Director:
2011  Start Stop Die Run
2012  Fulcro
2013  Alex and Fabio Are No Longer Here
2014  Díptico
2014  The Obsidian Tears
2016  NuevaYorkino
2018  Shapeless, Like Water
2018  The Mother of All Hurricanes
2023  Anacrusis
2024  Asterion: or, (if you mess with the bull...)
2024  El Jacho: A Puerto Rican Legend
2025  Esta Isla
2025  When in doubt, go left

Director of Photography:
2011  Start Stop Die Run
2012  Fulcro
2013  Alex and Fabio Are No Longer Here
2014  Díptico
2014  The Obsidian Tears
2016  NuevaYorkino
2018  Shapeless, Like Water
2018  The Mother of All Hurricanes
2023  Anacrusis
2024  Asterion: or, (if you mess with the bull...)
2024  El Jacho: A Puerto Rican Legend
2025  Esta Isla
2025  When in doubt, go left

Editor:
2011  Start Stop Die Run
2012  Fulcro
2013  Alex and Fabio Are No Longer Here
2014  Díptico
2014  The Obsidian Tears
2015  Enganche
2016  NuevaYorkino
2017  January
2018  La bruma y el descanso
2018  Shapeless, Like Water
2018  The Mother of All Hurricanes
2023  Anacrusis
2024  Asterion: or, (if you mess with the bull...)
2024  El Jacho: A Puerto Rican Legend
2024  Trapo Sucio: A Mofongo Western
2025  Esta Isla
2025  When in doubt, go left

Sound:
2011  Start Stop Die Run
2012  Fulcro
2013  Alex and Fabio Are No Longer Here
2014  Díptico
2014  The Obsidian Tears
2015  Enganche
2016  NuevaYorkino
2017  January
2018  La bruma y el descanso
2018  Shapeless, Like Water
2018  The Mother of All Hurricanes
2023  Anacrusis
2024  Asterion: or, (if you mess with the bull...)
2024  El Jacho: A Puerto Rican Legend
2024  Trapo Sucio: A Mofongo Western
2025  Esta Isla
2025  When in doubt, go left

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.