A work in constant progress (and occasional regress).
Alias:
Alejandro David Orengo Colón
Alejandro D. Orengo Colón is a Puerto Rican director and editor, born in Rhode Island and raised in Mayagüez. He holds a Master’s in Film Directing from the Savannah College of Art and Design and works as an editor on short films, music videos, commercials, and documentaries, while also developing personal projects. His films, such as Alex y Fabio Ya No Están (2013), Anacrusa (2022), and Asterión: ó Si Te Metes Con El Toro (2024), have been screened at international festivals. He has also participated in Cortaditos, an initiative by the Alliance Française of Puerto Rico, with Asterión: ó Si Te Metes Con El Toro (2024) and Caen Hojas Blancas (2025). As an editor, he has worked on El Jacho: Una Leyenda Puertorriqueña (2024), which won multiple awards at the LUSCA Film Festival, as well as En Duda, Siempre a la Izquierda (2024) and Trapo Sucio* (2024). He is currently developing his first feature film in collaboration with director Edwards Andrés Martínez.
Camera Operator:
2018 Shapeless, Like Water
Digital Imaging Technician:
2014 Díptico
2014 The Obsidian Tears
2018 Shapeless, Like Water
2024 El Jacho: A Puerto Rican Legend
2025 Esta Isla
2025 When in doubt, go left
Director:
2011 Start Stop Die Run
2012 Fulcro
2013 Alex and Fabio Are No Longer Here
2014 Díptico
2014 The Obsidian Tears
2016 NuevaYorkino
2018 Shapeless, Like Water
2018 The Mother of All Hurricanes
2023 Anacrusis
2024 Asterion: or, (if you mess with the bull...)
2024 El Jacho: A Puerto Rican Legend
2025 Esta Isla
2025 When in doubt, go left
Director of Photography:
2011 Start Stop Die Run
2012 Fulcro
2013 Alex and Fabio Are No Longer Here
2014 Díptico
2014 The Obsidian Tears
2016 NuevaYorkino
2018 Shapeless, Like Water
2018 The Mother of All Hurricanes
2023 Anacrusis
2024 Asterion: or, (if you mess with the bull...)
2024 El Jacho: A Puerto Rican Legend
2025 Esta Isla
2025 When in doubt, go left
Editor:
2011 Start Stop Die Run
2012 Fulcro
2013 Alex and Fabio Are No Longer Here
2014 Díptico
2014 The Obsidian Tears
2015 Enganche
2016 NuevaYorkino
2017 January
2018 La bruma y el descanso
2018 Shapeless, Like Water
2018 The Mother of All Hurricanes
2023 Anacrusis
2024 Asterion: or, (if you mess with the bull...)
2024 El Jacho: A Puerto Rican Legend
2024 Trapo Sucio: A Mofongo Western
2025 Esta Isla
2025 When in doubt, go left
Sound:
2011 Start Stop Die Run
2012 Fulcro
2013 Alex and Fabio Are No Longer Here
2014 Díptico
2014 The Obsidian Tears
2015 Enganche
2016 NuevaYorkino
2017 January
2018 La bruma y el descanso
2018 Shapeless, Like Water
2018 The Mother of All Hurricanes
2023 Anacrusis
2024 Asterion: or, (if you mess with the bull...)
2024 El Jacho: A Puerto Rican Legend
2024 Trapo Sucio: A Mofongo Western
2025 Esta Isla
2025 When in doubt, go left
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.