A work in constant progress (and occasional regress).
Birthplace:
Sweden
Born:
August 7, 1978
Originally hailing from Linköping, Sweden, and based in Stockholm since 2007, creative director Claudio Marino is becoming a definite protagonist among his peers. With a constantly growing list of clients – spanning a wide array within the “mainstream” as well as several sub-cultural phenomena, not to mention all of his corporate and commercial patrons – there is no doubt that Claudio Marino, most often operating under the moniker of Artax Film, has what it takes when it comes to making visual story-telling in the form of art and film. He has the exquisite knowledge of how to create tension-filled imagery, leading the way from darkness into light, from blur to sharpness, and from the unknown to the familiar. Claudio Marino is a sensible, sensitive, and sensational filmmaker, utterly respectful and observant to the client’s goals. No holds barred.
Art Direction:
2017 Cold Void
Director:
2014 Ink, Blood and Spirit
2015 Fight, Blood and Spirit
2016 Music, Blood and Spirit
2017 Cold Void
2020 Adam the Apostate
2024 Soul in Flames
Editor:
2014 Ink, Blood and Spirit
2015 Fight, Blood and Spirit
2016 Music, Blood and Spirit
2017 Cold Void
2020 Adam the Apostate
2024 Soul in Flames
Executive Producer:
2014 Ink, Blood and Spirit
2015 Fight, Blood and Spirit
2016 Music, Blood and Spirit
2017 Cold Void
2020 Adam the Apostate
2024 Soul in Flames
Producer:
2014 Ink, Blood and Spirit
2015 Fight, Blood and Spirit
2016 Music, Blood and Spirit
2017 Cold Void
2020 Adam the Apostate
2024 Soul in Flames
Writer:
2014 Ink, Blood and Spirit
2015 Fight, Blood and Spirit
2016 Music, Blood and Spirit
2017 Cold Void
2020 Adam the Apostate
2024 Soul in Flames
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.