Lukas Marxt (b. 1983)

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Birthplace:
Austria

Born:
May 10, 1983

My films give the spectator a lot of time to think. They communicate with everybody in a different way—you’re invited to reflect on how you experience nature and how you consume time.

Additional information:

The Search Form


Cinematography:
2017  Shadowland
2018  Victoria
2020  Imperial Irrigation
2023  Valley Pride

Director:
2011  Rising Fall
2012  It Seems To Be Loneliness But It Is Not
2013  High Tide
2013  Low Tide
2013  Nella Fantasia
2013  Two Skies
2014  Black Rain White Scars
2014  Double Dawn
2014  Reign of Silence
2015  Captive Horizon
2015  In A Beautiful And Quiet Location
2016  Cape Ground
2016  Circular Inscription
2017  Fishing Is Not Done On Tuesdays
2017  Shadowland
2018  Imperial Valley (Cultivated Run-Off)
2018  Victoria
2019  Loading Pit
2019  Ralf's Colors
2020  Imperial Irrigation
2021  Beautifully Maintained and Well Located
2022  Marine Target
2023  Valley Pride
2024  Among the Palms the Bomb, or: Looking for reflections in the toxic field of plenty

Director of Photography:
2011  Rising Fall
2012  It Seems To Be Loneliness But It Is Not
2013  High Tide
2013  Low Tide
2013  Nella Fantasia
2013  Two Skies
2014  Black Rain White Scars
2014  Double Dawn
2014  Reign of Silence
2015  Captive Horizon
2015  In A Beautiful And Quiet Location
2016  Cape Ground
2016  Circular Inscription
2017  Fishing Is Not Done On Tuesdays
2017  Shadowland
2018  Imperial Valley (Cultivated Run-Off)
2018  Victoria
2019  Loading Pit
2019  Ralf's Colors
2020  Imperial Irrigation
2021  Beautifully Maintained and Well Located
2022  Marine Target
2023  Valley Pride
2024  Among the Palms the Bomb, or: Looking for reflections in the toxic field of plenty

Drone Operator:
2011  Rising Fall
2012  It Seems To Be Loneliness But It Is Not
2013  High Tide
2013  Low Tide
2013  Nella Fantasia
2013  Two Skies
2014  Black Rain White Scars
2014  Double Dawn
2014  Reign of Silence
2015  Captive Horizon
2015  In A Beautiful And Quiet Location
2016  Cape Ground
2016  Circular Inscription
2017  Fishing Is Not Done On Tuesdays
2017  Shadowland
2018  Imperial Valley (Cultivated Run-Off)
2018  Victoria
2019  Loading Pit
2019  Ralf's Colors
2020  Imperial Irrigation
2021  Beautifully Maintained and Well Located
2022  Marine Target
2023  Valley Pride
2024  Among the Palms the Bomb, or: Looking for reflections in the toxic field of plenty

Editor:
2011  Rising Fall
2012  It Seems To Be Loneliness But It Is Not
2013  High Tide
2013  Low Tide
2013  Nella Fantasia
2013  Two Skies
2014  Black Rain White Scars
2014  Double Dawn
2014  Reign of Silence
2015  Captive Horizon
2015  In A Beautiful And Quiet Location
2016  Cape Ground
2016  Circular Inscription
2017  Fishing Is Not Done On Tuesdays
2017  Shadowland
2018  Imperial Valley (Cultivated Run-Off)
2018  Victoria
2019  Loading Pit
2019  Ralf's Colors
2020  Imperial Irrigation
2021  Beautifully Maintained and Well Located
2022  Marine Target
2023  Valley Pride
2024  Among the Palms the Bomb, or: Looking for reflections in the toxic field of plenty

Producer:
2011  Rising Fall
2012  It Seems To Be Loneliness But It Is Not
2013  High Tide
2013  Low Tide
2013  Nella Fantasia
2013  Two Skies
2014  Black Rain White Scars
2014  Double Dawn
2014  Reign of Silence
2015  Captive Horizon
2015  In A Beautiful And Quiet Location
2016  Cape Ground
2016  Circular Inscription
2017  Fishing Is Not Done On Tuesdays
2017  Shadowland
2018  Imperial Valley (Cultivated Run-Off)
2018  Victoria
2019  Loading Pit
2019  Ralf's Colors
2020  Imperial Irrigation
2021  Beautifully Maintained and Well Located
2022  Marine Target
2023  Valley Pride
2024  Among the Palms the Bomb, or: Looking for reflections in the toxic field of plenty

Writer:
2011  Rising Fall
2012  It Seems To Be Loneliness But It Is Not
2013  High Tide
2013  Low Tide
2013  Nella Fantasia
2013  Two Skies
2014  Black Rain White Scars
2014  Double Dawn
2014  Reign of Silence
2015  Captive Horizon
2015  In A Beautiful And Quiet Location
2016  Cape Ground
2016  Circular Inscription
2017  Fishing Is Not Done On Tuesdays
2017  Shadowland
2018  Imperial Valley (Cultivated Run-Off)
2018  Victoria
2019  Loading Pit
2019  Ralf's Colors
2020  Imperial Irrigation
2021  Beautifully Maintained and Well Located
2022  Marine Target
2023  Valley Pride
2024  Among the Palms the Bomb, or: Looking for reflections in the toxic field of plenty

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.