A work in constant progress (and occasional regress).
Lindsey Marlin is a professional Actor, Voiceover Artist, and Actor Teacher (AEA; SAG-AFTRA Eligible). She has a B.F.A. in Dramatic Performance from the University of Cincinnati, College-Conservatory of Music (CCM), and an M.A. in Speech-Language Pathology from The Ohio State University. She has shot national commercials for Safelite Auto Glass and Long John Silver’s, and voiced hundreds of voiceovers for clients such as McDonald’s, Subway, Honda, and Big O Tires. Additionally, she has been heard as the voice of LasikPlus in 37 major U.S. cities. Marlin has performed roles or narration in numerous commercials/industrials for companies such as Intel, Columbia Gas, and Eli Lilly. She has been in various films such as Stabbing Stupidity (Janet), which screened at multiple film festivals, including L.A.’s Dances with Films (Best Short Film, Honorable Mention) and the prestigious Short Film Corner at the Cannes Film Festival. She also won a Cincinnati Entertainment Award (CEA) for Best Supporting Actress for the role of Delia in the first full production of Warren Leight’s play, Glimmer, Glimmer & Shine, at the Ensemble Theatre of Cincinnati. Additional theatrical credits include Measure for Measure (Isabella), As You Like It (Rosalind), Kindertransport (Helga), The Cherry Orchard (Varya), The Little Dog Laughed (Diane), and The Laramie Project (Reggie Fluty, etc.). As an Actor Teacher, she works with students to enhance their posture, breathing, physical movements and characterizations, vocal productions, use of accents/dialects, improvisational skills, script analysis skills, and classical and contemporary monologue/scene study and preparation techniques.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.