A work in constant progress (and occasional regress).
Birthplace:
Stockholm, Sweden
Born:
November 28, 1957
A filmmaker, photographer, director, producer and much more. Staffan Julén has since 1983 directed and produced a total of six international award-winning feature films (mainly documentaries), and a number of short films. The first feature film INUGHUIT - THE PEOPLE AT THE NAVEL OF THE EARTH, 1987 was in its time the most award-winning Swedish film including (You Reel Cinema, Festival dei Popoli, Anthropos, Earthwatch) and went to the cinema in Sweden for three months. THE PRIZE OF THE POLE, 2006 was also rewarded with many festival prices (including Copenhagen - Dox Amnesty Award, 1st Prize Trento Film Festival, 1st Prize Anchorage International Film Festival, best film Expedition Explorers Club Film Festival in NY. In competition at Hot Docs and Doc Aviv.
Cinematography:
2015 Den värsta lögnen är den dokumentära
Director:
1985 Inughuit - folket vid jordens navel
2006 The Prize of the Pole
2010 My Heart of Darkness
2015 Den värsta lögnen är den dokumentära
2017 Lyubov: Love in Russian
2018 Staten och kapitalet
2022 Swedish Love
2024 Waiting for Life
Producer:
1985 Inughuit - folket vid jordens navel
2006 The Prize of the Pole
2009 Eagle Hunter's Son
2010 My Heart of Darkness
2015 Den värsta lögnen är den dokumentära
2017 Lyubov: Love in Russian
2018 Staten och kapitalet
2022 Swedish Love
2024 Waiting for Life
Writer:
1985 Inughuit - folket vid jordens navel
1998 The Adventures of Aligermaa
2006 The Prize of the Pole
2009 Eagle Hunter's Son
2010 My Heart of Darkness
2015 Den värsta lögnen är den dokumentära
2017 Lyubov: Love in Russian
2018 Staten och kapitalet
2022 Swedish Love
2024 Waiting for Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.