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Juan Antonio Leyva (b. 1956)

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Alias:
Juan A. Leyva

Birthplace:
Havana, Cuba

Born:
March 1, 1956

Additional information:

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Film Production

Music:
1997  Zafiros, Locura Azul
2008  Los dioses rotos
2013  Desde el lado del corazón
2023  AM-PM
2023  Una Noche Con Los Rolling Stones
2024  The Color of the Sky

Music Director:
1997  Zafiros, Locura Azul
2008  Los dioses rotos
2013  Desde el lado del corazón
2023  AM-PM
2023  Una Noche Con Los Rolling Stones
2024  The Color of the Sky

Original Music Composer:
1997  Zafiros, Locura Azul
2008  Los dioses rotos
2011  La guarida del topo
2011  The Sleeping Voice
2013  Desde el lado del corazón
2019  Haydee and the Flying Fish
2022  Oscuros Amores
2023  AM-PM
2023  Una Noche Con Los Rolling Stones
2024  The Color of the Sky

Sound:
1997  Zafiros, Locura Azul
2008  Los dioses rotos
2011  La guarida del topo
2011  The Sleeping Voice
2013  Desde el lado del corazón
2018  Innocence
2019  Haydee and the Flying Fish
2022  Oscuros Amores
2023  AM-PM
2023  Una Noche Con Los Rolling Stones
2024  The Color of the Sky

Sound Editor:
1997  Zafiros, Locura Azul
2008  Los dioses rotos
2011  La guarida del topo
2011  The Sleeping Voice
2013  Desde el lado del corazón
2014  Behavior
2018  Innocence
2019  Haydee and the Flying Fish
2022  Oscuros Amores
2023  AM-PM
2023  Una Noche Con Los Rolling Stones
2024  The Color of the Sky

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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