A work in constant progress (and occasional regress).
Birthplace:
Vancouver - Canada
Since the late 1980s, Stan Douglas has created films, photographs, and installations that reexamine particular locations or past events. His works often take their points of departure in local settings, from which broader issues can be identified. Making frequent use of both analog and digital technologies, Douglas appropriates existing Hollywood genres (including murder mysteries and the Western) and borrows from classic literary works (notably, Samuel Beckett, Herman Melville, and Franz Kafka) to create ready-made contextual frameworks for his complex, reimagined narratives that pertain to particular locations or past events.
Director:
1986 Overture
1991 I'm Not Gary
1992 Hors-champs
1995 Der Sandmann
1996 Nu'tka'
1998 Win, Place, Or Show
2001 Journey Into Fear
2003 Suspiria
2005 Inconsolable Memories
2006 Klatsassin
2013 Luanda – Kinshasa
2015 The Secret Agent
2019 Doppelgänger
2022 ISDN
Director of Photography:
1986 Overture
1991 I'm Not Gary
1992 Hors-champs
1995 Der Sandmann
1996 Nu'tka'
1998 Win, Place, Or Show
2001 Journey Into Fear
2003 Suspiria
2005 Inconsolable Memories
2006 Klatsassin
2013 Luanda – Kinshasa
2015 The Secret Agent
2019 Doppelgänger
2022 ISDN
Editor:
1986 Overture
1991 I'm Not Gary
1992 Hors-champs
1995 Der Sandmann
1996 Nu'tka'
1998 Win, Place, Or Show
2001 Journey Into Fear
2003 Suspiria
2005 Inconsolable Memories
2006 Klatsassin
2013 Luanda – Kinshasa
2015 The Secret Agent
2019 Doppelgänger
2022 ISDN
Writer:
1986 Overture
1991 I'm Not Gary
1992 Hors-champs
1995 Der Sandmann
1996 Nu'tka'
1998 Win, Place, Or Show
2001 Journey Into Fear
2003 Suspiria
2005 Inconsolable Memories
2006 Klatsassin
2013 Luanda – Kinshasa
2015 The Secret Agent
2019 Doppelgänger
2022 ISDN
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.