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Emiliano Cunha (b. 1982)

Birthplace:
Porto Alegre, Rio Grande do Sul, Brazil

Born:
October 23, 1982

Biography from TheMovieDB

Emiliano Cunha is the director of the award winning short films The Dog (2011, co-direction with Abel Roland), selected for over 50 international film festivals, and A Cup of Coffee and Wait (2013), selected for over 30, including selections for the Huesca International Film Festival and the Gramado International Film Festival for both films. He also directed the short film Wolves (2012, co-direction with Abel Roland), the TV series Horizonte B (Netflix license), and A Benção (post-production). Under Clear and Innocent Waters (2016) was selected for the 58th Zinebi, in Bilbao, Spain. Lane 4 (2019), his debut in feature films, premiered in Festival de Cine de Cartagena 2019. Emiliano graduated in Cinema and has a Master’s Degree in Film, with his research concerning Flux Cinema

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Additional information:

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Film Performances

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Film Production

Director:
2012  Lobos
2013  Tomou Café e Esperou
2016  Under Clear and Innocent Waters
2018  Endotermia
2019  Lane 4
2021  Storm
????  Navegantes

Executive Producer:
2012  Lobos
2013  Tomou Café e Esperou
2016  Under Clear and Innocent Waters
2018  Endotermia
2019  Lane 4
2021  Storm
????  Navegantes

Producer:
2012  Lobos
2013  Tomou Café e Esperou
2016  Under Clear and Innocent Waters
2018  Endotermia
2019  Lane 4
2021  Storm
????  Navegantes

Production Controller:
2012  Lobos
2013  Tomou Café e Esperou
2016  Under Clear and Innocent Waters
2018  Endotermia
2019  Lane 4
2021  Storm
2024  All The Better To Hear You With
????  Navegantes

Writer:
2012  Lobos
2013  Tomou Café e Esperou
2016  Under Clear and Innocent Waters
2018  Endotermia
2019  Lane 4
2021  Storm
2024  All The Better To Hear You With
????  Navegantes

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TV Production

Creator:
2016  Horizonte B

Director:
2016  Horizonte B

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.