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Melisa Liebenthal (b. 1991)

Birthplace:
Buenos Aires, Argentina

Born:
January 26, 1991

Biography from TheMovieDB

She directed the films The pretty ones (2016, 77 min.), Constanza (2018, 27 min.), Here and there (2020, 21 min.) and The face of the jellyfish (2022, 76 min.), with which she won awards at Rotterdam, BAFICI, Mar del Plata and Berlinale and was featured in New York Film Festival, Edinburgh and Torino, amongst others.  Melisa Liebenthal's work reflects on identity and its relation to the construction of an image. Her films explore and combine different materials with humor and playful spirit, from documentary and visual experimentation to narrative fiction, always keeping a lively awareness of the specificity of each type of image.  She is a film graduate at Universidad del Cine in Argentina and at Le Fresnoy - Studio National des Arts Contemporains in France. She specialized in Editing and Dramatic Structure with professor Miguel Pérez in Argentina, and in Essay-Film at Escuela Internacional de Cine y Televisión (EICTV) in Cuba. She is a Berlinale Talents (2021) and FID Campus (2018) alumna.

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Additional information:

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Film Performances

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Film Production

Director:
2016  The Pretty Ones
2019  Constanza
2019  Here and There
2020  Dancing in the Street, 11 grados de separación
2022  The Face of the Jellyfish

Editor:
2016  The Pretty Ones
2019  Constanza
2019  Here and There
2020  Dancing in the Street, 11 grados de separación
2022  The Face of the Jellyfish

Writer:
2016  The Pretty Ones
2019  Constanza
2019  Here and There
2020  Dancing in the Street, 11 grados de separación
2022  The Face of the Jellyfish

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.