A work in constant progress (and occasional regress).
Alias:
Antuan Vivas-Denisov
Антуан Вивас-Денисов
Birthplace:
Moscow, RSFSR, USSR
Born:
March 3, 1968
Russian operator, Venezuelan origin. Graduated from Ricardo Armas Artistic Photography Workshop in Venezuela, the University of Lodz (course "History and Theory of Cinema") and the Polish National Film School (camera department). Antoine has worked on such films as “Love in Concrete” (dir. Franco de Pena), “Road” (dir. Leslie McCleave), “Four Corners of Suburbia” (dir. Elizabeth Puccini) and “Ghost Dance” (dir. Allen Bloomberg).
Director of Photography:
2004 Love in Concrete
2005 Four Corners of Suburbia
2005 Road
2005 The Venezuelan Corner
2007 Kuka
2009 High Security Vacation
2009 To the Sea!
2011 Home
2014 A Gift with a Character
2018 What Men Talk About 3
2022 Aeterna: Part One
Writer:
2004 Love in Concrete
2005 Four Corners of Suburbia
2005 Road
2005 The Venezuelan Corner
2007 Kuka
2009 High Security Vacation
2009 To the Sea!
2011 Home
2014 A Gift with a Character
2018 What Men Talk About 3
2022 Aeterna: Part One
Director of Photography:
2013 Sherlock Holmes
2025 Gosudar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.