A work in constant progress (and occasional regress).
Alias:
Tasha Straley
Birthplace:
Washington, D.C.
Natasha Straley is an independent narrative film director working between New York City, Texas and Los Angeles. She began as an actor before accepting roles on the other side of the camera in 2010. She worked on various film productions sifting through every department until directing naturally rose to the surface in 2016. Her work focuses on both comedic and dramatic narrative content exploring the dark underbelly of the human condition, diving into uncomfortable nuances of behaviors and relationships. She is driven by subtle screenplays which push boundaries and examine the grey area between right and wrong. She has directed several short films, which have screened at festivals across the country. She just completed the proof-of-concept short film, SIDESTEP, after receiving a grant from the San Antonio Film Commission. She was awarded the Michelle Mower Female Filmmaker of the Year Award from Austin Revolution Film Festival, 2018. She received the San Antonio Film Commission in 2019 for a new short documentary designed to interweave opposing viewpoints along the border of Texas. Select directing credits include the post-apocalyptic action film, THE RESISTANCE; the lonely romantic comedy, UP OR OUT; the comedic social commentary, CAULIFLOWER; and the delicately nuanced slice-of-life film, FINISHED. Select producing credits include PICKUP (starring Mandy Evans, Jim True-Frost and Griffon Robert Faulkner, written by Jessica Blank, directed by Jeremiah Kipp), SOUND/VISION (starring Ari Rossen, directed by Jeremiah Kipp). Select acting credits include THE BLACKLIST (with James Spader and David Costabile on NBC), BRUNCH ON SUNDAYS, and THE LEFTOVERS. Natasha was born in DC and lived across the world as a military kid. Texas became her home before moving to New York 2007-2017. She currently resides between Los Angeles and San Antonio, Texas while she completes her first feature film, SIDESTEP.
Director:
2018 Up or Out
2019 Alex
Line Producer:
2018 How Do You Type a Broken Heart
2018 Up or Out
2019 Alex
Producer:
2018 How Do You Type a Broken Heart
2018 Up or Out
2019 Alex
2022 A Life in Technicolor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.