A work in constant progress (and occasional regress).
Birthplace:
Edinburgh, Scotland
Born:
January 1, 1958
Zoe Beloff works across a wide range of media, including film, stereoscopic projection performance, interactive media, installation and drawing. Seeking to graphically manifest the mind's unconscious processes in her work, she uses both archaic apparatuses and new analog/digital hybrids. Beloff has written that she considers herself a medium, an interface between the living and the dead, the real and the imaginary. With each project she aims to connect the present with the past, to create new visual languages where, she writes, "modern media will once again be invested with the uncanny." Beloff, who has directed many independent films, has also created numerous interactive digital media projects. Her interest in early cinema has led her to explore links between 19th-century industrial mechanics and 20th- and 21st-century computer technologies, in the transition from the "real" world to virtual space. Writes Beloff: "Interactive cinema is itself an emerging media. Its language is in the process of being invented. This is my ongoing project." Beloff has collaborated with artists from other disciplines, including composer John Cale, the Wooster Group Theater Company, and composer, singer and performance artist Shelley Hirsch. Beloff was born in Edinburgh, Scotland, and moved to New York in 1980. She received an MA from Edinburgh University and an MFA in film studies from Columbia University, and was in the Independent Study Program at the Whitney Museum of American Art. She has been awarded fellowships from the Guggenheim Foundation (2003), The Foundation for Contemporary Performance Arts (1997), NYFA (1997, 2001), The Graham foundation, The Radcliffe Institute at Harvard and Change City College to Queens College CUNY. She has received individual artist grants from foundations including NYSCA, Jerome Foundation and the Experimental Television Center, and has had residencies at Harvestworks, Hallwalls in Buffalo and Tesla in Berlin. She teaches digital media at City College in New York. Her work has been shown internationally at venues that include The Museum of Modern Art, New York; Whitney Museum of American Art, New York; the Freud Dream Museum, St. Petersburg, Russia; Centre Georges Pompidou, Paris; Biennial de l'image, Paris; Galerie Vox, Montreal; San Francisco Cinematheque, 2009 Athens Biennale; and MuHKA Museum. Antwerp, among others. Her exhibition The Coney Island Amateur Psychoanalytic Society and their Circle was exhibited at the Coney Island Museum in Brooklyn from October 2009 to November 2010. Beloff lives in New York.
Archival Footage Coordinator:
1997 Beyond
Art Direction:
1997 Beyond
2021 The Tramp's New World
Director:
1983 Visitor
1986 Nightmare Angel
1989 Wonderland USA
1997 Beyond
2000 Shadowland or Light from the Other Side
2005 Charming Augustine
2009 Chasing Louis Schnekowitz
2009 My Dream of Dental Irritation
2009 The Abandoned Ark
2009 The Bear Dream
2009 The Bobsled
2009 The Lion Dream
2009 The Lonely Chicken Dream
2009 The Midget Crane
2009 The Praying Mantis
2009 The Society Documents Itself
2012 Days of the Commune
2015 A Model Family in a Model Home
2015 Glass House
2015 Two Marxists in Hollywood
2017 Exile
2018 The Cognitive Era
2021 The Tramp's New World
2022 A REALITY SHOW
2022 SEVEN DAYS A WEEK
???? The Coney Island Amateur Psychoanalytic Society
Editor:
1983 Visitor
1986 Nightmare Angel
1989 Wonderland USA
1997 Beyond
2000 Shadowland or Light from the Other Side
2005 Charming Augustine
2009 Chasing Louis Schnekowitz
2009 My Dream of Dental Irritation
2009 The Abandoned Ark
2009 The Bear Dream
2009 The Bobsled
2009 The Lion Dream
2009 The Lonely Chicken Dream
2009 The Midget Crane
2009 The Praying Mantis
2009 The Society Documents Itself
2012 Days of the Commune
2015 A Model Family in a Model Home
2015 Glass House
2015 Two Marxists in Hollywood
2017 Exile
2018 The Cognitive Era
2021 The Tramp's New World
2022 A REALITY SHOW
2022 SEVEN DAYS A WEEK
???? The Coney Island Amateur Psychoanalytic Society
Producer:
1983 Visitor
1986 Nightmare Angel
1989 Wonderland USA
1997 Beyond
2000 Shadowland or Light from the Other Side
2005 Charming Augustine
2009 Chasing Louis Schnekowitz
2009 My Dream of Dental Irritation
2009 The Abandoned Ark
2009 The Bear Dream
2009 The Bobsled
2009 The Lion Dream
2009 The Lonely Chicken Dream
2009 The Midget Crane
2009 The Praying Mantis
2009 The Society Documents Itself
2012 Days of the Commune
2015 A Model Family in a Model Home
2015 Glass House
2015 Two Marxists in Hollywood
2017 Exile
2018 The Cognitive Era
2021 The Tramp's New World
2022 A REALITY SHOW
2022 SEVEN DAYS A WEEK
???? The Coney Island Amateur Psychoanalytic Society
Production Design:
1983 Visitor
1986 Nightmare Angel
1989 Wonderland USA
1997 Beyond
2000 Shadowland or Light from the Other Side
2005 Charming Augustine
2009 Chasing Louis Schnekowitz
2009 My Dream of Dental Irritation
2009 The Abandoned Ark
2009 The Bear Dream
2009 The Bobsled
2009 The Lion Dream
2009 The Lonely Chicken Dream
2009 The Midget Crane
2009 The Praying Mantis
2009 The Society Documents Itself
2012 Days of the Commune
2015 A Model Family in a Model Home
2015 Glass House
2015 Two Marxists in Hollywood
2017 Exile
2018 The Cognitive Era
2021 The Tramp's New World
2022 A REALITY SHOW
2022 SEVEN DAYS A WEEK
???? The Coney Island Amateur Psychoanalytic Society
Writer:
1983 Visitor
1986 Nightmare Angel
1989 Wonderland USA
1997 Beyond
2000 Shadowland or Light from the Other Side
2005 Charming Augustine
2009 Chasing Louis Schnekowitz
2009 My Dream of Dental Irritation
2009 The Abandoned Ark
2009 The Bear Dream
2009 The Bobsled
2009 The Lion Dream
2009 The Lonely Chicken Dream
2009 The Midget Crane
2009 The Praying Mantis
2009 The Society Documents Itself
2012 Days of the Commune
2015 A Model Family in a Model Home
2015 Glass House
2015 Two Marxists in Hollywood
2017 Exile
2018 The Cognitive Era
2021 The Tramp's New World
2022 A REALITY SHOW
2022 SEVEN DAYS A WEEK
???? The Coney Island Amateur Psychoanalytic Society
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.