A work in constant progress (and occasional regress).
Director:
1962 6 000 000
1970 The Market
1971 An Attempt (Test II)
1971 Test I
1972 Dynamic Rectangle
1973 I'm Going
1973 Ćwiczenie
1981 Witkacy
1982 About My Fingers
1982 Brezhnev's Funeral
1982 War State
1985 Art is Power
1985 Cars, Cars!
1985 Dancing with trees
1985 La - Lu
1985 Nearer – Further
1990 My Videomasochisms II
1992 Video Kisses
1993 1, 2, 3, 4 (Light Cheeks)
1994 Acoustic Apple
1994 Passage of energy angles
1999 From My Window
1999 Impulsators
2003 The Energy Manifesto!
2004 Attention: Light!
2004 Conversation With My Mother
2006 For Valie Export
Director of Photography:
1962 6 000 000
1970 Horyzont
1970 The Market
1971 An Attempt (Test II)
1971 Test I
1972 Dynamic Rectangle
1973 I'm Going
1973 Ćwiczenie
1981 Witkacy
1982 About My Fingers
1982 Brezhnev's Funeral
1982 War State
1985 Art is Power
1985 Cars, Cars!
1985 Dancing with trees
1985 La - Lu
1985 Nearer – Further
1990 My Videomasochisms II
1992 Video Kisses
1993 1, 2, 3, 4 (Light Cheeks)
1994 Acoustic Apple
1994 Passage of energy angles
1999 From My Window
1999 Impulsators
2003 The Energy Manifesto!
2004 Attention: Light!
2004 Conversation With My Mother
2006 For Valie Export
Screenplay:
1962 6 000 000
1970 Horyzont
1970 The Market
1971 An Attempt (Test II)
1971 Test I
1972 Dynamic Rectangle
1973 I'm Going
1973 Ćwiczenie
1981 Witkacy
1982 About My Fingers
1982 Brezhnev's Funeral
1982 War State
1985 Art is Power
1985 Cars, Cars!
1985 Dancing with trees
1985 La - Lu
1985 Nearer – Further
1990 My Videomasochisms II
1992 Video Kisses
1993 1, 2, 3, 4 (Light Cheeks)
1994 Acoustic Apple
1994 Passage of energy angles
1999 From My Window
1999 Impulsators
2003 The Energy Manifesto!
2004 Attention: Light!
2004 Conversation With My Mother
2006 For Valie Export
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.