A work in constant progress (and occasional regress).
Assistant Production Manager:
1961 Drugi człowiek
1962 The Two Who Stole the Moon
1964 Rendes-Vous with a Spy
1964 Wiano
1965 Bugler's Monologue
1967 The Killer Leaves a Trace
1967 Ściana czarownic
1970 The Last Witness
Production Assistant:
1958 The Eighth Day of the Week
1959 Rancho Texas
1959 The Depot of the Dead
1961 Drugi człowiek
1962 The Two Who Stole the Moon
1964 Rendes-Vous with a Spy
1964 Wiano
1965 Bugler's Monologue
1967 The Killer Leaves a Trace
1967 Ściana czarownic
1970 The Last Witness
Production Manager:
1949 Pierwsze etiudy
1951 The Pottery at Ilza
1958 The Eighth Day of the Week
1959 Rancho Texas
1959 The Depot of the Dead
1961 Drugi człowiek
1962 The Two Who Stole the Moon
1964 Rendes-Vous with a Spy
1964 Wiano
1965 Bugler's Monologue
1967 The Killer Leaves a Trace
1967 Ściana czarownic
1970 The Last Witness
Unit Manager:
1949 Pierwsze etiudy
1951 The Pottery at Ilza
1958 The Eighth Day of the Week
1959 Rancho Texas
1959 The Depot of the Dead
1959 The Stone Sky
1961 Drugi człowiek
1961 Ostrożnie yeti
1962 The Two Who Stole the Moon
1964 Adam's Two Ribs
1964 Rendes-Vous with a Spy
1964 Wiano
1965 Bugler's Monologue
1967 The Killer Leaves a Trace
1967 Ściana czarownic
1968 Four Tankmen and a Dog Part Four
1968 Four Tankmen and a Dog Part One
1968 Four Tankmen and a Dog Part Three
1968 Four Tankmen and a Dog Part Two
1970 The Last Witness
1991 Powrót
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.