A work in constant progress (and occasional regress).
Birthplace:
Tirana, Albania
Born:
September 28, 1934
Died:
January 13, 2020
Fehmi Hoshafi (September 28, 1934 – 2019) was an Albanian film director and screenwriter known for his contributions to Albanian cinema. Born in Tirana, Hoshafi began his career in the film industry as an assistant director to veterans Hysen Hakani and Kristaq Dhamo on films such as Toka jonë (1964), Vitet e para (1965), Oshëtimë në bregdet (1967), and Gjurma (1970). In 1968, Hoshafi directed Estrada në ekran (Estrada on the Screen), a film adaptation of a theatrical performance. He co-directed the acclaimed comedy Kapedani (The Captain, 1972) with Muharrem Fejzo, which tells the story of an aging veteran struggling to adapt to societal changes regarding women's rights. Other notable works include Shoku ynë Tili (Our Friend Tili, 1981) and Deputeti i grave (Deputy of Women, 1987). Hoshafi's films often addressed social themes and were instrumental in shaping Albanian cinema during his active years. He passed away in 2019 at the age of 86.
Director:
1968 Estrada on the Screen
1972 The Captain
1976 The Shout
1980 The Martyrs of the Monuments
1981 Our Friend Tili
1983 The Lights of the Town
1984 Dream for a Chair
1985 Uninterrupted Melody
1987 Deputy of Women
1987 In the Name of Freedom
Writer:
1968 Estrada on the Screen
1972 The Captain
1976 The Shout
1980 The Martyrs of the Monuments
1981 Our Friend Tili
1983 The Lights of the Town
1984 Dream for a Chair
1985 Uninterrupted Melody
1987 Deputy of Women
1987 In the Name of Freedom
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.