A work in constant progress (and occasional regress).
Alias:
Sergei Nurmamed
Сергей Нурмамед
Birthplace:
Moscow, USSR [now Russia]
Born:
April 8, 1980
Cinematography:
2013 Russia in Bloom
2016 Russian Jews. Part One. Before Revolution.
2017 Russian Jews. Part Three. After 1948.
2017 Russian Jews. Part Two. 1918-1948.
Director:
2009 Gogol the Bird
2010 Zvorykin-Muromets
2011 He Came to Give Us Freedom
2011 Second Shock. Vlasov's Loyal Army
2012 Eye of God
2013 Russia in Bloom
2014 Voices
2015 At Their Fingertips
2015 Joseph's Children
2016 Russian Jews. Part One. Before Revolution.
2017 Russian Jews. Part Three. After 1948.
2017 Russian Jews. Part Two. 1918-1948.
2020 Russian Georgians. Part 1
2021 In Qvevri Veritas
2021 Pocket of Russia
2022 Russian Georgians. Part 2
Director of Photography:
2009 Gogol the Bird
2010 Zvorykin-Muromets
2011 He Came to Give Us Freedom
2011 Second Shock. Vlasov's Loyal Army
2012 Eye of God
2013 Russia in Bloom
2014 Voices
2015 At Their Fingertips
2015 Joseph's Children
2016 Russian Jews. Part One. Before Revolution.
2017 Russian Jews. Part Three. After 1948.
2017 Russian Jews. Part Two. 1918-1948.
2020 Russian Georgians. Part 1
2021 In Qvevri Veritas
2021 Pocket of Russia
2022 Russian Georgians. Part 2
Editor:
2009 Gogol the Bird
2010 Zvorykin-Muromets
2011 He Came to Give Us Freedom
2011 Second Shock. Vlasov's Loyal Army
2012 Eye of God
2013 Russia in Bloom
2014 Voices
2015 At Their Fingertips
2015 Joseph's Children
2016 Russian Jews. Part One. Before Revolution.
2017 Russian Jews. Part Three. After 1948.
2017 Russian Jews. Part Two. 1918-1948.
2020 Russian Georgians. Part 1
2021 In Qvevri Veritas
2021 Pocket of Russia
2022 Russian Georgians. Part 2
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.