A work in constant progress (and occasional regress).
Boom Operator:
2013 Mother, I Love You
2018 Welcome to Mercy
2022 WarHunt
Production Sound Mixer:
2013 Mother, I Love You
2018 Welcome to Mercy
2022 WarHunt
2023 The Invisible Fight
Sound:
2013 Mother, I Love You
2018 Welcome to Mercy
2019 Looking for Mr. Dice
2022 WarHunt
2023 The Invisible Fight
Sound Designer:
2013 Mother, I Love You
2018 Welcome to Mercy
2019 Gently Into The Night
2019 Looking for Mr. Dice
2022 WarHunt
2023 The Invisible Fight
Sound Director:
2010 Try On
2013 Mother, I Love You
2014 The Fish
2018 Welcome to Mercy
2019 Gently Into The Night
2019 Looking for Mr. Dice
2022 WarHunt
2023 The Invisible Fight
Sound Engineer:
2010 Try On
2013 Mother, I Love You
2014 The Fish
2018 Welcome to Mercy
2019 Gently Into The Night
2019 Looking for Mr. Dice
2022 Miracle
2022 WarHunt
2023 The Invisible Fight
Sound Mixer:
2010 Try On
2013 Mother, I Love You
2014 The Fish
2018 Welcome to Mercy
2019 Gently Into The Night
2019 Looking for Mr. Dice
2019 The Rifleman
2022 Accidental Santa
2022 Miracle
2022 WarHunt
2023 The Invisible Fight
2024 The Book of Everything
2024 The Exalted
Sound Recordist:
2010 Try On
2013 Mother, I Love You
2014 The Fish
2015 Poison Flower
2018 Welcome to Mercy
2019 Gently Into The Night
2019 Looking for Mr. Dice
2019 The Rifleman
2022 Accidental Santa
2022 Miracle
2022 WarHunt
2023 The Invisible Fight
2024 The Book of Everything
2024 The Exalted
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.