Jessica Anthony

Birthplace:
Oakland, California

Jessica Anthony is a producer, writer, director and impact strategist with over two decades of experience in live action, animation and visual effects. In 2015 she produced the award winning film THE MASK YOU LIVE IN (Sundance/Netflix) directed by Jennifer Siebel Newsom. In 2016 Anthony partnered with filmmaker Kelly Duane de la Vega to produce and direct the short film SUPREME COURT VS. THE AMERICAN VOTER (NyTimes Op Doc). Also in 2016, she produced director Guetty Felin’s narrative feature AYITI MON AMOUR, a magical neo-realistic fable set in Haiti, which premiered at Toronto in 2016 and was shortlisted for an Oscar. Anthony produced and co-directed the award winning documentary feature IN THE BONES (Atlanta Film Festival 2022/Grasshopper Films) a project supported by Sundance, Ford Foundation, IDA, and Catapult, directed and co-produced by de la Vega. Her most recent projects include the upcoming documentary memoir VIVIEN’S WILD RIDE, an ITVS supported film by Vivien Hillgrove that follows a visual artist as she loses her sight, and IN WAVES AND WAR, a feature documentary that follows a group of retired Navy SEALs who find hope in a Mexican clinic where they undergo psychedelic-assisted therapy, directed by Jon Shenk and Bonni Cohen. Jessica is a Sundance Creative Producing Fellow and lives in the San Francisco Bay.

Additional information:

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Director:
2022  In the Bones

Producer:
2015  The Mask You Live In
2016  Haiti My Love
2022  In the Bones
2024  In Waves and War

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.