A work in constant progress (and occasional regress).
Alias:
Giuseppe Recchia
Birthplace:
Pontenure, Emilia-Romagna, Italy
Born:
May 21, 1934
Died:
June 8, 2007
Beppe Recchia, at the registry office Giuseppe Recchia (Pontenure, 21 May 1934 - Milan, 8 June 2007), was an Italian television director. His television debut took place in Rai in 1960, where over the years he worked with such characters as Giorgio Gaber, Cochi and Renato, Franca Valeri, Sandra Mondaini, Pippo Baudo, Enzo Tortora and many others. In 1971 he was the director of the television miniseries. dad Ubu? together with Vito Molinari. In 1974, Recchia received the Flaiano Prize for the screenplay. A great lover of modern television comedy, he worked with Roberto Benigni in Onda Libera in 1976. He then passed into private television debuts on Telebiella, later he collaborated with TeleradioCity and, above all, with Telealtomilanese and Antennatre, where he was director of many variety shows. including The Squizzofrenico, Better Owls than ever, I did not know but I know, The telegram, Deal done (with Ettore Andenna), Or it goes or breaks it, Il Guazzabuglio, Il Parapiglio and, together with Cino Tortorella, La bribe. He died in Milan after a long illness: the day of his death the episode of Colorado, in reply, was dedicated to him. From Wikipedia (it), the free encyclopedia
Director:
1971 The Deserted Piazza
1991 The Odyssey
1991 The Three Musketeers
Writer:
1971 The Deserted Piazza
1991 The Odyssey
1991 The Three Musketeers
Author:
1985 Buona Domenica
Creator:
1972 IL Buono e il Cattivo
1985 Buona Domenica
Director:
1972 IL Buono e il Cattivo
1973 Il Poeta e il Contadino
1976 Onda Libera
1983 Drive In
1985 Buona Domenica
1990 Paperissima
1995 Norma e Felice
1998 Ciao Darwin
Writer:
1972 IL Buono e il Cattivo
1973 Il Poeta e il Contadino
1976 Onda Libera
1983 Drive In
1985 Buona Domenica
1990 Paperissima
1995 Norma e Felice
1998 Ciao Darwin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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