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Thomas Gustafsson (b. 1968)

Alias:
Thomas G:son

Birthplace:
Skövde, Västra Götalands län, Sweden

Born:
February 25, 1968

Biography from TheMovieDB

Swedish composer and musician from Skövde, Västergötland, Sweden, north-east of Gothenburg. However, he is much more known nationally and internationally simply as Thomas G:son, his artistic name. Since 1998, Thomas has worked full-time as a songwriter for the company G:songs. In addition to writing and composing songs for a living, he plays the guitar in the hard rock band, Masquerade. Thomas G:son is best known for the 69 songs he has written for national finals of twelve different countries for the Eurovision Song Contest (ESC): 39 for Sweden, eleven for Spain, six for Norway, five for Denmark, four for Finland, two for Georgia, two for Poland, one for Cyprus, one for Latvia, one for Romania, one for Belgium, and one for Malta. He has also reached the Eurovision Song Contest ten times, three times for Sweden, three for Spain, once for Norway, twice for Georgia and once for Denmark. In 2012, G:son won the Eurovision Song Contest as a composer with the entry "Euphoria" making his first victory in the competition.

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Additional information:

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Film Production

Storyboard Artist:
2011  Angry Birds: Wreck the Halls

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TV Production

Musical:
1959  Melodifestivalen

Songs:
1959  Melodifestivalen

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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