A work in constant progress (and occasional regress).
Camera Operator:
2019 Rhinos in the Freezer
Cinematography:
2011 Wild Hungary – A Water Wonderland
2013 Szigetköz - The Inland Delta of the River Danube
2016 The Kunság - The Secret Life of the Hungarian Puszta
2017 Forbidden Zone - Wildlife on the Battlefield
2018 Balaton
2019 Rhinos in the Freezer
2020 Wild forests, wild crags - In search of the phantom
2021 Wild Horses - A Tale From The Puszta
2022 Vad Dráva - A kétarcú folyó
Director:
2011 Wild Hungary – A Water Wonderland
2013 Szigetköz - The Inland Delta of the River Danube
2016 The Kunság - The Secret Life of the Hungarian Puszta
2017 Forbidden Zone - Wildlife on the Battlefield
2018 Balaton
2019 Rhinos in the Freezer
2020 Terra Mater: Der Plattensee - Ungarns Wasserwildnis
2020 Wild forests, wild crags - In search of the phantom
2021 Wild Horses - A Tale From The Puszta
2022 Vad Dráva - A kétarcú folyó
Editor:
2011 Wild Hungary – A Water Wonderland
2013 Szigetköz - The Inland Delta of the River Danube
2016 The Kunság - The Secret Life of the Hungarian Puszta
2017 Forbidden Zone - Wildlife on the Battlefield
2018 Balaton
2019 Rhinos in the Freezer
2020 Terra Mater: Der Plattensee - Ungarns Wasserwildnis
2020 Wild forests, wild crags - In search of the phantom
2021 Wild Horses - A Tale From The Puszta
2022 Vad Dráva - A kétarcú folyó
Writer:
2011 Wild Hungary – A Water Wonderland
2013 Szigetköz - The Inland Delta of the River Danube
2016 The Kunság - The Secret Life of the Hungarian Puszta
2017 Forbidden Zone - Wildlife on the Battlefield
2018 Balaton
2019 Rhinos in the Freezer
2020 Terra Mater: Der Plattensee - Ungarns Wasserwildnis
2020 Wild forests, wild crags - In search of the phantom
2021 Wild Horses - A Tale From The Puszta
2022 Vad Dráva - A kétarcú folyó
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.