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Narjiss Nejjar (b. 1971)

Birthplace:
Tangier, Morocco

Born:
January 1, 1971

Biography from TheMovieDB

Born in 1971 in Tangier, Morocco, Narjiss Nejjar has made numerous documentaries, authored a novel, directed a trilogy of short films and is a screenwriter. Her first feature-length narrative film, ‘Les Yeux secs’ (2003), was selected for the Quinzaine des Réalisateurs at the Festival de Cannes and received numerous honors, including the Bayard d’Or for Best Screenplay. ‘Wake Up Morocco’ (2005) is her second feature-length fiction film. After participating in 2010 in the Terminus des Anges Collective, she directed ‘L’amant du Rif’ (2012), which was screened in official competition at several festivals.

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Additional information:

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Film Production

Director:
2003  Cry No More
2006  Wake up Morocco
2010  Terminus des Anges
2011  The Rif Lover
2018  Apatride

Producer:
2003  Cry No More
2006  Wake up Morocco
2010  Terminus des Anges
2011  The Rif Lover
2018  Apatride

Screenplay:
2003  Cry No More
2006  Wake up Morocco
2010  Terminus des Anges
2011  The Rif Lover
2018  Apatride

Writer:
2003  Cry No More
2006  Wake up Morocco
2010  Terminus des Anges
2011  The Rif Lover
2018  Apatride

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.