A work in constant progress (and occasional regress).
Alias:
Həsən Seyidbəyli
Гасан Сеидбейли
Birthplace:
Baku, Azerbaijan
Born:
December 22, 1920
Died:
June 25, 1980
Hasan Seyidbeyli (Azerbaijani: Həsən Mehdi oğlu Seyidbəyli) was a Soviet and Azerbaijani writer, dramatist, screenwriter, film director, and People’s Artist of the Azerbaijan SSR. Hasan Seyidbeyli was born on December 22, 1920 in Baku, the Azerbaijan SSR. In 1938-1939, he studied at Leningrad Institute of Film Directors. In 1942, his literary activity began. In 1943, he continued his education on the director faculty of the Gerasimov Institute of Cinematography (with S.Eisenstein and G.Kozintsev). Hasan Seyidbeyli is the author of such screenplays as To my dear nation (1954), Under the burning Sun (1958), On distant shores (1958), Soviet Azerbaijan, and Perfection. He is the author of screenplays and director of films such as Telephonist girl (1962), Why are you silent? (1962), Find that girl (1970), and Value of happiness (1976). Hasan Seyidbeyli is the director of "Nasimi", which was awarded the first-place prize at the VII All-Union Festival in Baku. From 1963 to 1980, he was the chairman of Azerbaijan Union of Filmmakers.
Director:
1962 The Telephone Operator
1964 The Island of Miracles
1966 Why do You Remain Silent?
1969 Our Teacher Jabish
1970 Find That Girl
1974 Nasimi
1977 Happiness Cares
Screenplay:
1957 Under the Burning Sun
1958 On Distant Shores
1962 The Telephone Operator
1964 The Island of Miracles
1966 Why do You Remain Silent?
1969 Our Teacher Jabish
1970 Find That Girl
1974 Nasimi
1977 Happiness Cares
Writer:
1957 Under the Burning Sun
1958 On Distant Shores
1962 The Telephone Operator
1964 The Island of Miracles
1966 The lift girl
1966 Why do You Remain Silent?
1969 Our Teacher Jabish
1970 Find That Girl
1974 Nasimi
1977 Happiness Cares
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.