A work in constant progress (and occasional regress).
Karel Tuytschaever (°1985) graduates from the Royal Conservatory Antwerp in the Drama, an acting education led by Dora van der Groen. A great importance to him is the interaction between his executive work as a performer, his own research traject and work as a maker and his professorship. His background in drama and dance as well play a key role in this triangle. As an actor Karel contributed to plays at theatre houses such as De Tijd, Toneelhuis, Schauspielhaus Wien, HETPALEIS, Detheatermaker, Lab. Troubleyn/Jan Fabre, De Parade, Kaaitheater, Barre Weldaad, Frascati, HertogsHaest and Over het ij. On tv he appears in series such as Witse, Zone stad, Aspe, Binnenstebuiten, Crimi Clowns, Familie, De Vijfhoek, De Kroongetuigen, Professor T, Code 37, Tom & Harry, Tytgat chocolat, Zie mij graag and De Ridder. He plays in films like Rotkop, Do you know what love is and De handel in emotionele goederen. In September 2015 BARRY is founded based on the necessity to create an environment where Karel’s hybrid work can be supported, created an spread. Since 2009 Karel is a regular instructor at the Royal Conservatory Antwerp. He mentors, coaches in acting for the dance department and motion for all drama students. From 2015 on, he started as coordinator of the yearly interdisciplinary research week between all departments of the School of Arts, Common ground. As a core member, he is part of the Erasmus+ research project Rethinking bodies: the tranferable skills of the dance artist (2014 - 2017), which was initiated with the partners in higher education Fontys (Tilburg), Duncan Centre Conservatory (Prague) and NSCD (Leeds). This research redefines the vision of the body in contemporary dance, with themes as Inclusive Dance and Movement practice and Re-designing spaces. As a researcher, he is also involved in a interdisciplinary project with the Royal Academy of Fine Arts, Growinggifs. Bodies are registered and placed in the shared space between analog and digital, craft and high-tech, with new visuals as output. Karel is regularly solicited as a coach and has hosted workshops and masterclasses organized by Toneelhuis, HETPALEIS, KunstZ, theatre studio Nest, OPENDOEK, University of Antwerp and the Amsterdam School of the Arts.
Director:
2014 Bare Romance
2019 A Sitting Man
2022 Easy Tiger
Editor:
2014 Bare Romance
2019 A Sitting Man
2022 Easy Tiger
Writer:
2014 Bare Romance
2019 A Sitting Man
2022 Easy Tiger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.