A work in constant progress (and occasional regress).
Birthplace:
Belo Horizonte, Minas Gerais, Brazil
Adélia Sampaio is a Brazilian filmmaker, the first black woman to direct a film in Brazil, the 1984 feature Amor Maldito. Sampaio was born in 1944 in Belo Horizonte; her mother was a domestic worker. Sampaio's interest in film was encouraged by her sister Eliana, after watching Sergei Eisenstein's Ivan the Terrible (Eliana later became her producer). In 1969 went to work as a telephone operator at Difilm, a Brazilian distributor linked to Cinema Novo. Sampaio began to organize the company's film club, which projected films in 16mm. She also started to work in the production of films, in various functions, such as continuist, makeup artist, camera operator, editor and producer. Her debut as a director was in 1979, with the short film Denúncia Vazia. In 1984 she released her first feature, Amor Maldito, based on the real-life case of a trial of a lesbian woman accused of killing her partner, of which she was also a screenwriter (with José Louzeiro) and producer. Thus, she became the first black woman to direct a feature film in Brazil. In 1987 she directed the documentary Fugindo do Passado: Um Drink para Tetéia e História Banal, about the Brazilian military dictatorship. In 2018 she directed O mundo de dentro, shown at the São Paulo International Short Film Festival.
Art Direction:
2001 AI-5 - O Dia que Não Existiu
Associate Producer:
1980 Ele, Ela, Quem?
2001 AI-5 - O Dia que Não Existiu
Director:
1979 Denúncia Vazia
1980 Adulto Não Brinca
1980 Ele, Ela, Quem?
1981 ... AGORA UM DEUS DANÇA EM MIM
1982 Na poeira das ruas
1984 Amor Maldito
1987 Fugindo do Passado
1991 Scliar: A Persistência da Paisagem
2001 AI-5 - O Dia que Não Existiu
2018 O Mundo de Dentro
Producer:
1979 Denúncia Vazia
1979 Parceiros da Aventura
1980 Adulto Não Brinca
1980 Ele, Ela, Quem?
1981 ... AGORA UM DEUS DANÇA EM MIM
1982 Na poeira das ruas
1984 Amor Maldito
1987 Fugindo do Passado
1991 Scliar: A Persistência da Paisagem
2001 AI-5 - O Dia que Não Existiu
2018 O Mundo de Dentro
Production Director:
1974 O Segredo da Rosa
1975 A Cartomante
1975 O Monstro de Santa Tereza
1979 Denúncia Vazia
1979 Parceiros da Aventura
1980 Adulto Não Brinca
1980 Ele, Ela, Quem?
1981 ... AGORA UM DEUS DANÇA EM MIM
1982 Na poeira das ruas
1984 Amor Maldito
1987 Fugindo do Passado
1991 Scliar: A Persistência da Paisagem
2001 AI-5 - O Dia que Não Existiu
2018 O Mundo de Dentro
Production Manager:
1974 O Segredo da Rosa
1975 A Cartomante
1975 O Monstro de Santa Tereza
1977 O Seminarista
1979 Denúncia Vazia
1979 Parceiros da Aventura
1980 Adulto Não Brinca
1980 Ele, Ela, Quem?
1981 ... AGORA UM DEUS DANÇA EM MIM
1982 Na poeira das ruas
1984 Amor Maldito
1987 Fugindo do Passado
1991 Scliar: A Persistência da Paisagem
2001 AI-5 - O Dia que Não Existiu
2018 O Mundo de Dentro
Screenplay:
1974 O Segredo da Rosa
1975 A Cartomante
1975 O Monstro de Santa Tereza
1977 O Seminarista
1979 Denúncia Vazia
1979 Parceiros da Aventura
1980 Adulto Não Brinca
1980 Ele, Ela, Quem?
1981 ... AGORA UM DEUS DANÇA EM MIM
1982 Na poeira das ruas
1984 Amor Maldito
1987 Fugindo do Passado
1991 Scliar: A Persistência da Paisagem
2001 AI-5 - O Dia que Não Existiu
2018 O Mundo de Dentro
Screenstory:
1974 O Segredo da Rosa
1975 A Cartomante
1975 O Monstro de Santa Tereza
1977 O Seminarista
1979 Denúncia Vazia
1979 Parceiros da Aventura
1980 Adulto Não Brinca
1980 Ele, Ela, Quem?
1981 ... AGORA UM DEUS DANÇA EM MIM
1982 Na poeira das ruas
1984 Amor Maldito
1987 Fugindo do Passado
1991 Scliar: A Persistência da Paisagem
2001 AI-5 - O Dia que Não Existiu
2018 O Mundo de Dentro
Writer:
1974 O Segredo da Rosa
1975 A Cartomante
1975 O Monstro de Santa Tereza
1977 O Seminarista
1979 Denúncia Vazia
1979 Parceiros da Aventura
1980 Adulto Não Brinca
1980 Ele, Ela, Quem?
1981 ... AGORA UM DEUS DANÇA EM MIM
1982 Na poeira das ruas
1984 Amor Maldito
1987 Fugindo do Passado
1991 Scliar: A Persistência da Paisagem
2001 AI-5 - O Dia que Não Existiu
2018 O Mundo de Dentro
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.