Brett Story

Brett Story is a geographer and award-winning non-fiction filmmaker. Her films have screened at True/False, Oberhausen, Hot Docs, the Viennale, and Dok Leipzig, among other international festivals. Her second feature-length film, The Prison in Twelve Landscapes (2016) was awarded the Special Jury Prize at the Hot Docs Canadian International Documentary Festival and was a nominee for Best Canadian Feature Documentary at the Canadian Screen Awards. Her interests across the fields of documentary and critical theory are expansive, and include experimental cinema and essay films, politics and aesthetics, racial capitalism and Marxist political economy, and visual geography. Brett holds a PhD in geography from the University of Toronto and is the author of a forthcoming book titled Prison Land: Mapping Carceral Power across Neoliberal America from the University of Minnesota Press. She was a 2016 Sundance Art of Nonfiction Fellow and is a 2018 Guggenheim Fellow.

Additional information:

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Camera Operator:
2013  Roads Through Palestine

Director:
2007  Hard City Heart
2007  The Visible Will vs. the Invisible Wall
2008  Car Wash
2010  Land of Destiny
2013  Roads Through Palestine
2015  Clear and No Screws
2016  The Prison in Twelve Landscapes
2016  World In A City
2017  CamperForce
2018  A Debtors' Prison
2018  The Castle
2019  The Hottest August
2020  David Harvey and the City
2024  Union

Editor:
2007  Hard City Heart
2007  The Visible Will vs. the Invisible Wall
2008  Car Wash
2010  Land of Destiny
2013  Roads Through Palestine
2015  Clear and No Screws
2016  The Prison in Twelve Landscapes
2016  World In A City
2017  CamperForce
2018  A Debtors' Prison
2018  The Castle
2019  The Hottest August
2020  David Harvey and the City
2024  Union

Producer:
2007  Hard City Heart
2007  The Visible Will vs. the Invisible Wall
2008  Car Wash
2010  Land of Destiny
2013  Roads Through Palestine
2015  Clear and No Screws
2016  The Prison in Twelve Landscapes
2016  World In A City
2017  CamperForce
2018  A Debtors' Prison
2018  The Castle
2019  The Hottest August
2020  David Harvey and the City
2024  Union

Researcher:
2006  WAL-TOWN The Film
2007  Hard City Heart
2007  The Visible Will vs. the Invisible Wall
2008  Car Wash
2010  Land of Destiny
2013  Roads Through Palestine
2015  Clear and No Screws
2016  The Prison in Twelve Landscapes
2016  World In A City
2017  CamperForce
2018  A Debtors' Prison
2018  The Castle
2019  The Hottest August
2020  David Harvey and the City
2024  Union

Writer:
2006  WAL-TOWN The Film
2007  Hard City Heart
2007  The Visible Will vs. the Invisible Wall
2008  Car Wash
2010  Land of Destiny
2013  Roads Through Palestine
2015  Clear and No Screws
2016  The Prison in Twelve Landscapes
2016  World In A City
2017  CamperForce
2018  A Debtors' Prison
2018  The Castle
2019  The Hottest August
2020  David Harvey and the City
2024  Union

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.