A work in constant progress (and occasional regress).
Brett Story is a geographer and award-winning non-fiction filmmaker. Her films have screened at True/False, Oberhausen, Hot Docs, the Viennale, and Dok Leipzig, among other international festivals. Her second feature-length film, The Prison in Twelve Landscapes (2016) was awarded the Special Jury Prize at the Hot Docs Canadian International Documentary Festival and was a nominee for Best Canadian Feature Documentary at the Canadian Screen Awards. Her interests across the fields of documentary and critical theory are expansive, and include experimental cinema and essay films, politics and aesthetics, racial capitalism and Marxist political economy, and visual geography. Brett holds a PhD in geography from the University of Toronto and is the author of a forthcoming book titled Prison Land: Mapping Carceral Power across Neoliberal America from the University of Minnesota Press. She was a 2016 Sundance Art of Nonfiction Fellow and is a 2018 Guggenheim Fellow.
Camera Operator:
2013 Roads Through Palestine
Director:
2007 Hard City Heart
2007 The Visible Will vs. the Invisible Wall
2008 Car Wash
2010 Land of Destiny
2013 Roads Through Palestine
2015 Clear and No Screws
2016 The Prison in Twelve Landscapes
2016 World In A City
2017 CamperForce
2018 A Debtors' Prison
2018 The Castle
2019 The Hottest August
2020 David Harvey and the City
2024 Union
Editor:
2007 Hard City Heart
2007 The Visible Will vs. the Invisible Wall
2008 Car Wash
2010 Land of Destiny
2013 Roads Through Palestine
2015 Clear and No Screws
2016 The Prison in Twelve Landscapes
2016 World In A City
2017 CamperForce
2018 A Debtors' Prison
2018 The Castle
2019 The Hottest August
2020 David Harvey and the City
2024 Union
Producer:
2007 Hard City Heart
2007 The Visible Will vs. the Invisible Wall
2008 Car Wash
2010 Land of Destiny
2013 Roads Through Palestine
2015 Clear and No Screws
2016 The Prison in Twelve Landscapes
2016 World In A City
2017 CamperForce
2018 A Debtors' Prison
2018 The Castle
2019 The Hottest August
2020 David Harvey and the City
2024 Union
Researcher:
2006 WAL-TOWN The Film
2007 Hard City Heart
2007 The Visible Will vs. the Invisible Wall
2008 Car Wash
2010 Land of Destiny
2013 Roads Through Palestine
2015 Clear and No Screws
2016 The Prison in Twelve Landscapes
2016 World In A City
2017 CamperForce
2018 A Debtors' Prison
2018 The Castle
2019 The Hottest August
2020 David Harvey and the City
2024 Union
Writer:
2006 WAL-TOWN The Film
2007 Hard City Heart
2007 The Visible Will vs. the Invisible Wall
2008 Car Wash
2010 Land of Destiny
2013 Roads Through Palestine
2015 Clear and No Screws
2016 The Prison in Twelve Landscapes
2016 World In A City
2017 CamperForce
2018 A Debtors' Prison
2018 The Castle
2019 The Hottest August
2020 David Harvey and the City
2024 Union
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.