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Sophie Winqvist (b. 1977)

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Alias:
Sophie Winqvist-Loggins

Birthplace:
Solna, Stockholms län, Sweden

Born:
January 15, 1977

Biography from TheMovieDB

Sophie Winqvist Loggins is a Swedish cinematographer living in Österlen, Copenhagen and Bombay. She has also lived in France, Cuba, the USA and speaks several languages. Apart from attending the internationally renowned National Film School of Denmark, she has a university degree in art history and has studied gender and postcolonial theories. Her first feature film was a commercial Bollywood horror flick, which is something that few – if any – western women directors of photography have taken on. Her second feature was a Swedish sc-fi shot on location. The diverse background is reflected in her work on many levels. She says she uses her camera to hold on to the spirit of childhood games and fantasies. Play knows no boundaries and she moves effortlessly between documentaries, stills, commercials and feature films. Genre lacks importance when you’re inside a story.

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Additional information:

The Search Form


Film Production

Director of Photography:
2009  Dværgen og luderen
2013  The Sarnos: A Life in Dirty Movies
2014  Hot Chicks
2015  Stallion
2015  Teenland
2016  Senses
2017  Ouaga Girls
2018  Nikita Forever
2019  Aniara
2021  Clara Sola
2021  Pleasure
2021  Two Minutes to Midnight
2022  Diorama
2024  Garbo: Where Did You Go?
????  Steal Away

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.