A work in constant progress (and occasional regress).
Died:
July 23, 2019
John Moore produced award-winning documentaries for over twenty years. His programs sold to ABC TV, SBS, Channel 4, ARTE, the Canadian History Channel and TV Ontario. His programs made for the Film Australia History Scheme included Menzies & Churchill at War and Monash the Forgotten Anzac. His 2005 documentary about Bertram Wainer Abortion, Corruption & Cops was nominated at the 2005 Australian Film Institute (AFI) Awards and the 2006 Sydney Film Festival. In 2001 John produced and directed Thomson of Arnhem Land for Film Australia and the ABC. Thomson won the $15,000 NSW Premiers History Award, an AFI Award for Editing and was nominated for awards at Banff and Shanghai TV Festivals. John's awards included a United Nations Peace Award for Barefoot Student Army in 1994, Best Documentary at the Melbourne and Sydney Film Festivals for Black Man's Houses (1993) and an Australian Film Institute Award for Best TV Documentary for Guns & Roses (1991). John was also a board member of the Australian International Documentary Conference (AIDC). He passed away on 23 July 2019, sadly missed by the documentary community and leaving behind him a huge legacy of social documentaries which responsibly addressed key issues of the day.
Co-Producer:
1993 Black Man's Houses
Director:
1993 Black Man's Houses
2000 Thomson of Arnhem Land
2006 Abortion, Corruption and Cops: The Bertram Wainer Story
Producer:
1993 Black Man's Houses
2000 Thomson of Arnhem Land
2003 In the Realm of the Hackers
2006 Abortion, Corruption and Cops: The Bertram Wainer Story
2017 From Under the Rubble
Writer:
1993 Black Man's Houses
2000 Thomson of Arnhem Land
2003 In the Realm of the Hackers
2006 Abortion, Corruption and Cops: The Bertram Wainer Story
2008 Monash: The Forgotten Anzac
2017 From Under the Rubble
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.