A work in constant progress (and occasional regress).
Jeni Thornley is a documentary filmmaker, writer and film valuer. Her poetic essay documentaries: Maidens (1978), collaborative feature film and Penguin book, For Love or Money: a history of women and work in Australia (1983), To the Other Shore (1996) and Island Home Country (2008) are landmark films in Australian independent and feminist cinema, widely distributed and also broadcast on ABC TV and SBS. Her films are available online and DVD via beamafilm, Ronin Films and Anandi Films.
Director:
1973 A Film for Discussion
1974 Still Life
1978 Maidens
1983 For Love or Money
1996 To The Other Shore
2008 Island Home Country
2023 Memory Film: A Filmmaker's Diary
Producer:
1973 A Film for Discussion
1974 Still Life
1978 Maidens
1983 For Love or Money
1996 To The Other Shore
2008 Island Home Country
2023 Memory Film: A Filmmaker's Diary
Script Consultant:
1973 A Film for Discussion
1974 Still Life
1978 Maidens
1983 For Love or Money
1988 Thanks Girls and Goodbye
1996 To The Other Shore
2008 Island Home Country
2023 Memory Film: A Filmmaker's Diary
Script Editor:
1973 A Film for Discussion
1974 Still Life
1978 Maidens
1983 For Love or Money
1988 Thanks Girls and Goodbye
1993 Breathing Under Water
1996 To The Other Shore
2008 Island Home Country
2023 Memory Film: A Filmmaker's Diary
Writer:
1973 A Film for Discussion
1974 Still Life
1978 Maidens
1983 For Love or Money
1988 Thanks Girls and Goodbye
1993 Breathing Under Water
1996 To The Other Shore
2008 Island Home Country
2023 Memory Film: A Filmmaker's Diary
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.