A work in constant progress (and occasional regress).
Alias:
Jean Pierre Gerth
Location Sound Mixer:
2017 Rue de Blamage
2023 Guido Baselgia – The Dark Light
2024 The Landscape and the Fury
2025 Our Money
Sound:
2008 Vandals
2017 Rue de Blamage
2018 First Things and Last Things
2020 Trinkerkinder
2021 Football Inside
2021 The Scent of Fear
2022 Jill
2023 Guido Baselgia – The Dark Light
2023 Our Father
2024 Motherland
2024 Omegäng
2024 The Landscape and the Fury
2025 Our Money
Sound Mixer:
2008 Vandals
2015 Imagine Waking Up Tomorrow and All Music Has Disappeared
2017 Rue de Blamage
2018 First Things and Last Things
2020 Trinkerkinder
2021 Football Inside
2021 The Scent of Fear
2022 Jill
2023 Guido Baselgia – The Dark Light
2023 Our Father
2024 Motherland
2024 Omegäng
2024 The Landscape and the Fury
2025 Our Money
Original Music Composer:
1970 Scene of the Crime
Sound:
1970 Scene of the Crime
2020 Labyrinth of Peace
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.