A work in constant progress (and occasional regress).
Editor:
2000 Hanna lacht
2004 The Right to Win
2006 Blond, Blue Eyes
2008 Rudy Schokker Revisited
2008 The Letter for the King
2013 Good Morning Karachi
2014 Private Ground
Executive Co-Producer:
2000 Hanna lacht
2004 The Right to Win
2006 Blond, Blue Eyes
2008 Rudy Schokker Revisited
2008 The Letter for the King
2013 Good Morning Karachi
2014 Private Ground
2020 Butterflies
Post Producer:
2000 Hanna lacht
2004 The Right to Win
2006 Blond, Blue Eyes
2008 Rudy Schokker Revisited
2008 The Letter for the King
2013 Good Morning Karachi
2014 Private Ground
2020 Butterflies
2023 Barbara Stok - How to live well
Post Production Supervisor:
2000 Hanna lacht
2004 The Right to Win
2006 Blond, Blue Eyes
2008 Rudy Schokker Revisited
2008 The Letter for the King
2013 Good Morning Karachi
2014 Private Ground
2019 It's Dutch Design
2020 Butterflies
2023 Barbara Stok - How to live well
Post-Production Manager:
2000 Hanna lacht
2004 The Right to Win
2006 Blond, Blue Eyes
2008 Rudy Schokker Revisited
2008 The Letter for the King
2013 Good Morning Karachi
2014 Private Ground
2019 Breathe, the many battles of Maite Hontelé
2019 It's Dutch Design
2020 Butterflies
2022 De Zitting
2022 Ongeschreven Regels: Boeman
2022 Ongeschreven Regels: Coming in
2022 Ongeschreven Regels: Niet zoals het hoort
2022 Ongeschreven Regels: Oh mijn tweet
2023 Barbara Stok - How to live well
2023 Omen
2024 Queens
Editor:
1998 Hertenkamp
2009 The New York Connection
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.