A work in constant progress (and occasional regress).
Kat Wood is a British writer and director. Her first produced short film, Mr Bojagi, won the Best Short Film Award at the London Independent Film Festival. In 2012, she gained further acclaim as a finalist for both the Bluecat Cordelia Award and the Final Draft Big Break Contest. Two years later, in 2014, she was voted onto The Tracking Board's prestigious Young & Hungry list, which highlights the top 100 emerging writers in Hollywood. Initially celebrated for her screenwriting, Wood later expanded into directing. As the writer-director of the short film Home, she became the first UK winner of the Jameson First Shot Competition. Wood has sold several high-profile screenplays and pitches in the action and science fiction genres. These include her sci-fi script Envoy and pitch Genus to three-time Academy Award nominee producer Amy Pascal, the action pitch Diplomatic Courier to Skydance, and the assassin thriller Ruby to Amazon Studios, which will be produced by 87North. Amazon also acquired her original pitch, Fuel, a story about a getaway driver. Her supernatural spy thriller, Enigma, was optioned by producer Erica Lee during her tenure as SVP at Thunder Road. She also worked on Marvel Studios' The Fantastic Four: First Steps, contributing to the story and earning a story credit on the film. Based in Los Angeles, Kat Wood has been recognised as one of the UK's rising stars and previously worked as a BBC broadcast journalist before transitioning into film.
Director:
2016 Home
2018 Stine
???? Pete
Executive Producer:
2016 Home
2018 Stine
???? Pete
Story:
2016 Home
2018 Stine
2025 The Fantastic Four: First Steps
???? Pete
Writer:
2015 Arthur & Merlin
2016 Home
2018 Stine
2025 The Fantastic Four: First Steps
???? Pete
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.