Home

Bobby Krlic (b. 1985)

Alias:
The Haxan Cloak

Birthplace:
Wakefield, West Yorkshire, England, UK

Born:
December 20, 1985

Biography from TheMovieDB

Bobby Krlic (born 20 December 1985), known by his stage name The Haxan Cloak, is a British composer, artist, music producer and musician.  The Haxan Cloak has released two full-length albums (2011's The Haxan Cloak and 2013's Excavation). As a producer, Krlic has worked with artists including Björk, Father John Misty, Khalid, Troye Sivan, Goldfrapp, serpentwithfeetand The Body. He has also composed several soundtracks, credited under his real name, including Ari Aster's films Midsommar and Beau Is Afraid, television series Beef, Snowpiercer, Angel of Darkness and Reprisal.  Description above from the Wikipedia article Bobby Krlic, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Original Music Composer:
2015  Almost Holy
2016  Triple 9
2019  Midsommar
2022  On the Morning You Wake (to the End of the World)
2023  Beau Is Afraid
2023  Blue Beetle
2025  Him

Producer:
2015  Almost Holy
2016  Triple 9
2019  Midsommar
2022  On the Morning You Wake (to the End of the World)
2023  Beau Is Afraid
2023  Blue Beetle
2025  Him

Click the heading above to show or hide the list.

TV Production

Original Music Composer:
2018  Seven Seconds
2018  The Alienist
2020  Snowpiercer
2021  Calls
2021  Invasion
2023  BEEF

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.