A work in constant progress (and occasional regress).
Birthplace:
Lisbon, Portugal
Born in Lisbon in 1971, Julio Alves began working within the film industry at an early age. He began his well-established career working as an Assistant Director and Assistant Producer for several Portuguese, French and Spanish feature films and telefilms. Julio then began directing his own short films in genres such as fiction, animation and documentarie. Apart from his short documentaries, he has also directed two feature length documentaries. His works have been nominated at many national and international festivals and have also received numerous awards. Since 2000, Julio has expanded his portfolio in directing advertising films for large Portuguese and Spanish brands. He has his Master's degree in Film Studies and is currently working on his Doctorate in Communication Sciences.
Director:
1996 A Fachada
1996 The Alarm Clock
2010 O Jogo
2012 Home
2012 O Regresso
2013 Casa Manuel Vieira
2018 Haunted House
2019 Sacavém: The Films of Pedro Costa
2020 Chantal + Pedro
2020 The Art of Dying Far Away
2021 Dialogue of Shadows
???? Objetos Entre Nós
Producer:
1996 A Fachada
1996 The Alarm Clock
2010 O Jogo
2012 Home
2012 O Regresso
2013 Casa Manuel Vieira
2018 Haunted House
2019 Sacavém: The Films of Pedro Costa
2020 Chantal + Pedro
2020 The Art of Dying Far Away
2021 Dialogue of Shadows
???? Objetos Entre Nós
Second Assistant Director:
1995 Pereira Declares
1996 A Fachada
1996 The Alarm Clock
2010 O Jogo
2012 Home
2012 O Regresso
2013 Casa Manuel Vieira
2018 Haunted House
2019 Sacavém: The Films of Pedro Costa
2020 Chantal + Pedro
2020 The Art of Dying Far Away
2021 Dialogue of Shadows
???? Objetos Entre Nós
Writer:
1995 Pereira Declares
1996 A Fachada
1996 The Alarm Clock
2010 O Jogo
2012 Home
2012 O Regresso
2013 Casa Manuel Vieira
2018 Haunted House
2019 Sacavém: The Films of Pedro Costa
2020 Chantal + Pedro
2020 The Art of Dying Far Away
2021 Dialogue of Shadows
???? Objetos Entre Nós
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.