Scott Edelstein

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With more than 50 feature films and over 160 commercial projects under his belt, Scott Edelstein has been a veteran in the visual effects industry for over two decades. Scott’s projects have been versatile and cover a large breadth of visual effects specialties. In addition to his experience as a Visual Effects Supervisor, his extensive background includes on-set supervision, integration, previs, layout, and environments. Scott has spent the majority of his professional career at Digital Domain, working in both the features and commercials departments.  Currently, Scott is working as Visual Effects Supervisor for the upcoming Marvel Studios and Sony Pictures film, “Madame Web.” Prior to this, Scott served as Visual Effects Supervisor on the Academy and VES Award-nominated film “Spider-Man: No Way Home,” and prior to that, he was the Associate Visual Effects Supervisor for Marvel Studios’ blockbuster “Avengers: Endgame.” Scott was also Digital Effects Supervisor on "Free Guy," as well as the Academy and BAFTA-nominated and VES Award-winning film “Avengers: Infinity War” from Marvel Studios. Additional notable projects include the Academy Award-nominated film “I, Robot” and the Clio-winning commercial titled “Mechanical Legs,” directed by David Fincher. Scott served as VFX Supervisor for EA’s “Command and Conquer: Rivals,” VFX Supervisor for Tencent's "Call of Duty: Mobile" cinematic, and as DFX Supervisor for “The Fate of the Furious.” Additionally, Scott has worked as a plate supervisor on films including “Power Rangers,” “Deadpool,” and “Maleficent.”  At Digital Domain, Scott is a natural collaborator, known for pushing his team to achieve greater heights in their craft and successfully partnering with clients. A long-serving staple of the Digital Domain family, Scott is part of an exceptional team of visual effects experts.  Information above via his homepage.

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3D Animator:
2002  Star Trek: Nemesis

3D Supervisor:
2002  Star Trek: Nemesis
2002  xXx
2003  Willard

CG Supervisor:
2002  Star Trek: Nemesis
2002  xXx
2003  Willard
2015  Blackhat

Visual Effects Supervisor:
2002  Star Trek: Nemesis
2002  xXx
2003  Willard
2015  Blackhat
2021  Spider-Man: No Way Home
2024  Madame Web
2024  Venom: The Last Dance
2025  The Conjuring: Last Rites

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.