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Film Production

Sound:
1967  The Times That Are
1968  Beluga Days
1968  The River Schooners
1969  The Panafrican Festival in Algiers
1970  Un pays sans bon sens!
1971  Acadia Acadia?!?
1971  Cesar's Bark Canoe
1972  Griffintown
1972  Le reel du pendu
1977  20 Years Later
1977  Games of the XXI Olympiad
1978  Le discours de l'armoire
1981  Elvis Gratton
1997  Four Women of Egypt
2004  Un ange passe

Sound Assistant:
1967  The Times That Are
1968  Beluga Days
1968  The River Schooners
1969  The Panafrican Festival in Algiers
1970  Un pays sans bon sens!
1971  Acadia Acadia?!?
1971  Cesar's Bark Canoe
1972  Griffintown
1972  Le reel du pendu
1977  20 Years Later
1977  Games of the XXI Olympiad
1978  Le discours de l'armoire
1981  Elvis Gratton
1985  90 Days
1997  Four Women of Egypt
2004  Un ange passe

Sound Recordist:
1967  The Times That Are
1968  Beluga Days
1968  The River Schooners
1969  The Panafrican Festival in Algiers
1970  Un pays sans bon sens!
1971  Acadia Acadia?!?
1971  Cesar's Bark Canoe
1972  Dirty Money
1972  Griffintown
1972  Le reel du pendu
1973  Tickets s.v.p
1977  20 Years Later
1977  Games of the XXI Olympiad
1978  Le discours de l'armoire
1980  The Red Kitchen
1980  The Skiff of Renald and Thomas
1981  Elvis Gratton
1985  90 Days
1997  Four Women of Egypt
2004  Un ange passe
????  La visite du Général De Gaulle au Québec

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.