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Pascal Plante (b. 1988)

Born:
September 3, 1988

Biography from TheMovieDB

Pascal Plante is a Canadian film director and screenwriter from Quebec.

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Additional information:

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Film Performances

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Film Production

Director:
2011  A Golden Age
2012  Baby Blues
2012  I Am A Sand Castle Awaiting The Sea
2014  Generation Porn
2015  Blue-Eyed Blonde
2015  Shitty Drum!
2016  Nonna
2018  Blast Beat
2018  Fake Tattoos
2020  Nadia, Butterfly
2023  Red Rooms

Editor:
2011  A Golden Age
2012  Baby Blues
2012  I Am A Sand Castle Awaiting The Sea
2014  Generation Porn
2015  Blue-Eyed Blonde
2015  Shitty Drum!
2016  Nonna
2017  C'est qui la plus belle ? Le making of de Blonde aux yeux bleus
2018  Blast Beat
2018  Fake Tattoos
2020  Nadia, Butterfly
2023  Red Rooms

Post Producer:
2011  A Golden Age
2012  Baby Blues
2012  I Am A Sand Castle Awaiting The Sea
2014  Generation Porn
2015  Blue-Eyed Blonde
2015  Shitty Drum!
2016  Nonna
2017  C'est qui la plus belle ? Le making of de Blonde aux yeux bleus
2018  Blast Beat
2018  Fake Tattoos
2020  Nadia, Butterfly
2023  Red Rooms
????  Les coulisses des Chambres Rouges

Producer:
2011  A Golden Age
2012  Baby Blues
2012  I Am A Sand Castle Awaiting The Sea
2014  Generation Porn
2014  The Yellows
2015  Blue-Eyed Blonde
2015  Shitty Drum!
2016  Nonna
2017  C'est qui la plus belle ? Le making of de Blonde aux yeux bleus
2018  Blast Beat
2018  Fake Tattoos
2020  Nadia, Butterfly
2023  Red Rooms
????  Les coulisses des Chambres Rouges

Screenplay:
2011  A Golden Age
2012  Baby Blues
2012  I Am A Sand Castle Awaiting The Sea
2014  Generation Porn
2014  The Yellows
2015  Blue-Eyed Blonde
2015  Shitty Drum!
2016  Nonna
2017  C'est qui la plus belle ? Le making of de Blonde aux yeux bleus
2018  Blast Beat
2018  Fake Tattoos
2020  Nadia, Butterfly
2023  Red Rooms
????  Les coulisses des Chambres Rouges

Sound Editor:
2011  A Golden Age
2011  The Orphan's Tale
2012  Baby Blues
2012  I Am A Sand Castle Awaiting The Sea
2014  Generation Porn
2014  Intruders
2014  The Yellows
2015  Blue-Eyed Blonde
2015  Shitty Drum!
2016  Nonna
2017  C'est qui la plus belle ? Le making of de Blonde aux yeux bleus
2018  Blast Beat
2018  Fake Tattoos
2018  Milk
2018  Speaking in Tongues
2020  Girls Shouldn't Walk Alone at Night
2020  Nadia, Butterfly
2023  Red Rooms
????  Les coulisses des Chambres Rouges

Sound Mixer:
2011  A Golden Age
2011  The Orphan's Tale
2012  Baby Blues
2012  I Am A Sand Castle Awaiting The Sea
2014  Generation Porn
2014  Intruders
2014  The Yellows
2015  Blue-Eyed Blonde
2015  Shitty Drum!
2016  Nonna
2017  A
2017  C'est qui la plus belle ? Le making of de Blonde aux yeux bleus
2018  Blast Beat
2018  Fake Tattoos
2018  Milk
2018  Speaking in Tongues
2020  Girls Shouldn't Walk Alone at Night
2020  Nadia, Butterfly
2023  Red Rooms
????  Les coulisses des Chambres Rouges

Writer:
2011  A Golden Age
2011  The Orphan's Tale
2012  Baby Blues
2012  I Am A Sand Castle Awaiting The Sea
2014  Generation Porn
2014  Intruders
2014  The Yellows
2015  Blue-Eyed Blonde
2015  Shitty Drum!
2016  Nonna
2017  A
2017  C'est qui la plus belle ? Le making of de Blonde aux yeux bleus
2018  Blast Beat
2018  Fake Tattoos
2018  Milk
2018  Speaking in Tongues
2020  Girls Shouldn't Walk Alone at Night
2020  Nadia, Butterfly
2023  Red Rooms
????  Les coulisses des Chambres Rouges

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TV Performances

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TV Production

Producer:
2013  The Yellows

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.