A work in constant progress (and occasional regress).
Birthplace:
Boulogne-Billancourt, Hauts-de-Seine, France
Born:
April 2, 1981
Raphaël Michel Hamburger (born 2 April 1981) is a French producer and a soundtrack music supervisor. He is the son of French singers Michel Berger and France Gall, the grandson of French physician, surgeon and essayist Jean Hamburger, the great-grandson of co-founder of Manécanterie des Petits Chanteurs à la Croix de Bois, Paul Berthier, and godson of French stand-up comedian and actor Coluche. After studying sound engineering, he produced albums for several French artists, including Adrienne Pauly, Spleen, accused of sexual harassment, HollySiz, June&Ours and Polo&Pan. He participated in the French version of Sean Lennon's song "Parachute", called "L'Éclipse" (The eclipse), with Mathieu Chedid, and founded Hamburger Records, Radiooooo, with Kolkoz artist Benjamin Moreau, Chi-Fou-Mi Records and MMM agency, with Schmooze music supervision and sound production company founder, Matthieu Sibony. In 2016, he produced the Ritz Bar compilation. He bought the former Studios Acousti, rebaptised Studios Saint-Germain, directed by Élodie Filleul. In 2018, 37 female singers (including Brigitte, Mayra Andrade, Anaïs Croze, Clara Luciani, Sandra Nkaké, Elisa Tovati, Agnès Jaoui, Olivia Ruiz, La Grande Sophie, Superbus, Elodie Frégé, Inna Modja, Mai Lan and Julie Zenatti) recorded the new version of the Hymn of the Mouvement de libération des femmes. In 2019, for the first anniversary of his mother's death, Mathieu Chedid dedicated him a song, Un autre paradis, that appears on the album Lettre infinie. In 2020, he should have produced Starmania at the Seine Musicale of Boulogne-Billancourt, canceled in 2021 and in 2022 due to COVID-19 pandemic. From 2016 to 2020, he manages a Spa, SkySpa (Laddaparis).A difficult teenager, he was severely injured in a scooter accident at a young age and almost died. After his sister Pauline died on December 15, 1997 from cystic fibrosis, he went through a morbid trial, in June 1998, against his aunt, and his father's former companion, Véronique Sanson, because he wanted to transfer Pauline's remains to put them with her father's in a closed vault in the Montmartre Cemetery. After the October 26 audience, and the January 11, 1999 failed mediation, there were new audiences on May 31 and June 28. On October 4, the Tribunal de grande instance de Paris gave the order to transfer Berger's remains next to his daughter's. He is a regular Poker player and the father of Ella, born in 2021. Source: Article "Raphaël Hamburger" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Associate Producer:
2015 Quelques Secondes
Co-Producer:
2015 Quelques Secondes
2019 Cock, Crap, Fuck
Music Coordinator:
2015 Quelques Secondes
2017 Radiance
2019 Cock, Crap, Fuck
Music Supervisor:
2012 Just Like Brothers
2013 The Gilded Cage
2014 The Search
2015 Quelques Secondes
2016 Things to Come
2017 Alone
2017 Radiance
2019 Cock, Crap, Fuck
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.