Ece Dizdar (b. 1981)

Birthplace:
Istanbul, Turkey

Born:
November 23, 1981

Ece Dizdar (born 23 November 1981) is a Turkish actress.  Dizdar was born in Istanbul. During her childhood, her father went on missions as a submarine worker and she moved with him to different cities across Turkey and stayed in countries such as Pakistan, Belgium, and the UK. She usually studied at DoDDS American schools where she traveled. During her secondary school years, she studied musicals and dance in Belgium, and appeared on the stage by joining the children's conservatory for 2 years. After graduating from Marmara University Faculty of Communication, she moved to London, completed her acting education at the ARTSED acting academy with a scholarship and started her professional acting career. Ece Dizdar translated plays such as Shopping and F… ing and Festen for Dot Theatre. She later worked as a voice actress for professional commercials and promotional works. She then continued her stage career in Turkey and England, and soon appeared in television and cinematic productions.  Dizdar first became known through her role in the 2002 En Son Babalar Duyar TV series. She continued her career in TV with a role in the 2003 TV series Esir Şehrin Gözyaşları. After appearing in the TV series Hayalet in 2004, she took a break from acting. She returned to TV screens in 2011 after being cast in the series Karakol. In 2012, she played the role of Yeşim in the TV series Şubat. She then portrayed the character of Melda in the series Güneşi Beklerken and in 2015 appeared as Şevval in the series Beş Kardeş.

Additional information:

The Search Form


Co-Producer:
2024  Foreskin

Director:
2024  Foreskin

Writer:
2024  Foreskin

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.