A work in constant progress (and occasional regress).
Director:
2014 Stravinsky in Hollywood
2014 Strawinsky in Hollywood
2018 The Dinner Party
Editor:
2008 The Promise of Music
2012 The Killers: Unstaged
2014 Stravinsky in Hollywood
2014 Strawinsky in Hollywood
2016 Lo and Behold: Reveries of the Connected World
2018 The Dinner Party
2019 Nomad: In the Footsteps of Bruce Chatwin
2020 Fireball: Visitors from Darker Worlds
2022 Theater of Thought
2024 The Fire Within: Requiem for Katia and Maurice Krafft
Sound Designer:
2008 The Promise of Music
2012 The Killers: Unstaged
2014 Stravinsky in Hollywood
2014 Strawinsky in Hollywood
2016 Lo and Behold: Reveries of the Connected World
2018 The Dinner Party
2019 Nomad: In the Footsteps of Bruce Chatwin
2020 Fireball: Visitors from Darker Worlds
2022 Theater of Thought
2024 The Fire Within: Requiem for Katia and Maurice Krafft
Sound Editor:
2008 The Promise of Music
2012 The Killers: Unstaged
2014 Stravinsky in Hollywood
2014 Strawinsky in Hollywood
2016 Lo and Behold: Reveries of the Connected World
2018 The Dinner Party
2019 Nomad: In the Footsteps of Bruce Chatwin
2020 Fireball: Visitors from Darker Worlds
2022 Theater of Thought
2024 The Fire Within: Requiem for Katia and Maurice Krafft
Writer:
2008 The Promise of Music
2012 The Killers: Unstaged
2014 Stravinsky in Hollywood
2014 Strawinsky in Hollywood
2016 Lo and Behold: Reveries of the Connected World
2018 The Dinner Party
2019 Nomad: In the Footsteps of Bruce Chatwin
2020 Fireball: Visitors from Darker Worlds
2022 Theater of Thought
2024 The Fire Within: Requiem for Katia and Maurice Krafft
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.