A work in constant progress (and occasional regress).
Tina Jones is a well-known, award-winning set decorator with years of experience working on films and commercials. She is known for her work on Spider-Man: Far from Home, Aladdin, and earlier work that includes The Best Exotic Marigold Hotel and Game of Thrones and working with Production Designer Gemma Jackson on the HBO series The Nevers. Tina has also worked as a stylist on many big commercial brands, including Nespresso, COI, Toyota, and Kelloggs, working with production companies that include RSA, Outsider, and The Oil Factory. Information above via their homepage.
Art Direction:
1993 Century
Assistant Art Director:
1993 Century
1995 The Englishman Who Went Up a Hill But Came Down a Mountain
Set Decoration:
1993 Century
1995 The Englishman Who Went Up a Hill But Came Down a Mountain
1998 St. Ives
2004 Chasing Liberty
2005 Kinky Boots
2006 Miss Potter
2006 The Last King of Scotland
2006 The Queen
2007 The Bourne Ultimatum
2008 The Edge of Love
2010 Kick-Ass
2010 Tamara Drewe
2010 The Song of Lunch
2011 Jane Eyre
2012 Red Tails
2012 The Best Exotic Marigold Hotel
2013 Belle
2014 Hercules
2016 Assassin's Creed
2017 King Arthur: Legend of the Sword
2018 Jurassic World: Fallen Kingdom
2018 The Commuter
2018 The Etruscan Smile
2019 Aladdin
2019 Spider-Man: Far From Home
2022 Morbius
2022 Pinocchio
2024 Apartment 7A
???? Greenland: Migration
???? Primate
Art Direction:
1999 Pure Wickedness
Set Decoration:
1999 Pure Wickedness
2000 Anna Karenina
2001 Murder Rooms: Mysteries of the Real Sherlock Holmes
2003 Cambridge Spies
2011 Game of Thrones
2021 The Nevers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.