A work in constant progress (and occasional regress).
Alias:
다닐루 그랑게이아
Birthplace:
São Paulo, São Paulo, Brazil
Born:
May 22, 1977
Danilo Grangheia (São Paulo, May 22, 1977) is a theater, film and television actor, graduated from the School of Dramatic Art EAD/ECA/USP. Born in São Paulo, he developed part of his research in acting and directing with the most important theater companies in Brazil. As a member of the Ultralíricos, he worked on several shows/projects such as “Fim”, “Selvageria”, “A Tragédia Latino-Americana” and “Puzzle” directed by Felipe Hirsch, “Terrenal - small mystery ácrata” directed by Marco Antonio Rodrigues , "Krum", by the Brazilian theater company and directed by Marcio Abreu, "As Três Velhas", directed by Maria Alice Vergueiro, "Let's just kiss and say goodbye" by Elisa Ohtake. In addition to Brazilian companies, he developed works, shows, performances and studies with big names on the international scene such as Sotigui Kouyaté, Rena Mirecka, Nassim Soleimanpour, Christiane Jatahy and Nuno Ramos. He also directed the shows “The Last Piece”, “Banda Hamlet”, “Nunzio” and “A saga musical de Cecília”. In cinema, he acted in “Cara ou Coroa”, by Ugo Giorgetti, “O Robble da Copa”, by Caito Ortiz, “A Bruta Flor do Quer”, by Dida Andrade and Andradina de Azevedo, “O que se move”, by Caetano Gotardo, “Hebe” by Maurício Farias, among others; On television he worked on soap operas and series such as “Irmandade” (Netflix), “Mauá - the first giant” (History Channel), “A lei do amor”, “A Mulher do Prefeito”, “Ligações Perigosas” (Rede Globo), "3 Teresas" (GNT), "Contos do Edgar" (Fox), “O Negócio” (HBO), “The girl without qualities” (MTV). For his work as an actor in theater and cinema, he won some of the most important awards in the country, such as the Shell, APCA, Femsa, Questão de Crítica and Cine PE awards.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.