A work in constant progress (and occasional regress).
Brandon Riley is an American producer, line producer, unit production manager and assistant director for film, television, digital media and live events. He holds a Bachelors degree in Radio/TV/Film and a minor in Philosophy from the University of North Texas and is currently a member of both the Directors Guild of America and the Producers Guild of America.
Executive Producer:
2022 Saving Christmas Spirit
First Assistant Camera:
2013 Seventy-Nine
2022 Saving Christmas Spirit
First Assistant Director:
2013 Seventy-Nine
2015 Alison's Choice
2017 Literally, Right Before Aaron
2022 Saving Christmas Spirit
Line Producer:
2013 Seventy-Nine
2015 Alison's Choice
2017 Literally, Right Before Aaron
2020 Shooting Heroin
2022 Saving Christmas Spirit
2023 A Snowy Day in Oakland
2023 Divine Influencer
2023 Resurrected
Producer:
2013 Seventy-Nine
2015 Alison's Choice
2017 Literally, Right Before Aaron
2020 Shooting Heroin
2022 Saving Christmas Spirit
2023 A Snowy Day in Oakland
2023 Divine Influencer
2023 Resurrected
Second Assistant Director:
2013 Seventy-Nine
2014 Revelation Road 3: The Black Rider
2015 Alison's Choice
2015 Audacity
2017 Literally, Right Before Aaron
2020 Shooting Heroin
2021 Church People
2022 Saving Christmas Spirit
2023 A Snowy Day in Oakland
2023 Divine Influencer
2023 Resurrected
Unit Production Manager:
2013 Seventy-Nine
2014 Revelation Road 3: The Black Rider
2015 Alison's Choice
2015 Audacity
2017 Literally, Right Before Aaron
2020 Shooting Heroin
2021 Church People
2022 Saving Christmas Spirit
2023 A Snowy Day in Oakland
2023 Divine Influencer
2023 Resurrected
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.