A work in constant progress (and occasional regress).
ADR Mixer:
2022 Exile
ADR Recordist:
2018 New Money
2022 Exile
Dialogue Editor:
2018 New Money
2019 Groupers
2022 Exile
Sound Designer:
2014 The Scopia Effect
2018 New Money
2019 Groupers
2020 The Stylist
2022 Exile
2023 Cottage Grove
Sound Mixer:
2014 The Scopia Effect
2018 New Money
2019 Groupers
2020 The Stylist
2021 He Who Lives In Hidden Lakes
2022 Exile
2023 Cottage Grove
Sound Re-Recording Mixer:
2014 The Scopia Effect
2018 New Money
2019 Groupers
2020 The Stylist
2021 Bella and Bernie
2021 He Who Lives In Hidden Lakes
2022 Exile
2022 Woman of a Certain Sage
2023 Cottage Grove
2024 Room Six
Supervising Sound Editor:
2012 Scrooge & Marley
2014 The Scopia Effect
2018 New Money
2019 Groupers
2020 The Stylist
2021 Bella and Bernie
2021 He Who Lives In Hidden Lakes
2022 Exile
2022 Woman of a Certain Sage
2023 Cottage Grove
2024 Room Six
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.