Sheldon Chau

Born in the San Gabriel Valley of Los Angeles, Sheldon developed a passion for movies as a child when his dad brought home Jackie Chan films via a local laserdisc rental store. As a teenager, he discovered that movies went beyond entertainment when both his drama teacher and artist uncle recommended films from the Criterion Collection. After college, Sheldon made a short documentary in which he interviewed his father and learned of his parents’ harrowing journey out of Vietnam as boat people; this cemented his commitment to storytelling through filmmaking. Sheldon holds a BA from UC Irvine in Film Studies and an MFA from NYU Tisch in directing and cinematography.  Sheldon’s work has screened at top festivals such as Cannes, Sundance, Toronto, Venice, and Berlin. His recent credits as cinematographer include Demba - which premiered at this year’s Berlinale; Nafi’s Father - Senegal’s official entry to the 2021 Oscars - and Enmity Djinn - an episode of Netflix’s African Folktales Reimagined anthology. Sheldon is the winner of the ARRI Volker Bahnemann Award for Cinematography, a Visual Communications AWC Fellow, and part of the ASC Vision Mentorship program. As a director, his short film Flying Eggs was a 2021 Slamdance Film Festival selection and latest work In Max We Trust can be seen on YouTube’s Omeleto short film channel.  Sheldon has specialized in shooting internationally, working with diverse colleagues, and balancing both large- and guerrilla-sized crews. As a filmmaker, he continues to seek stories that are evocative, personal, and emotionally resonant.

Additional information:

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Cinematography:
2015  Blitz
2016  According to My Mother
2018  Fish Bones
2019  Summer Knight
2022  A Small Dream
2023  Enmity Djinn
2023  Subliminal
2024  Pooja, Sir
????  When the River Split Open

Director:
2015  Blitz
2016  According to My Mother
2018  Fish Bones
2018  Flying Eggs
2019  Summer Knight
2021  In Max We Trust
2022  A Small Dream
2023  Enmity Djinn
2023  Subliminal
2024  Pooja, Sir
????  When the River Split Open

Director of Photography:
2015  Blitz
2016  According to My Mother
2016  Jungle
2017  Your Own Road
2018  Fish Bones
2018  Flying Eggs
2018  San Miguel
2019  Nafi's Father
2019  Summer Knight
2021  In Max We Trust
2021  Mosagallu
2022  A Small Dream
2022  Yokelan, 66
2023  Enmity Djinn
2023  Subliminal
2024  Pooja, Sir
2024  Roots That Reach Toward The Sky
????  Kannappa
????  When the River Split Open

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.