Patrick Lawrence

Birthplace:
Saint Louis, Missouri, USA

Patrick Lawrence is a Los Angeles based Editor, originally from St. Louis, Missouri. He has edited 20+ Feature Films since 2014, including Shelby Oaks (Neon), Scare Me (Shudder) and Clara’s Ghost (MGM/Orion). In addition to having 7 films premiere at the Sundance Film Festival, projects that Patrick has edited have screened worldwide at SXSW, Tribeca, Cannes, Fantastic Fest, AFI Fest, Outfest, Beyond Fest and more!  Outside of theatrical, Patrick is also an accomplished Episodic editor, recently serving as Lead Editor on Seasons 1 & 2 of Bonding (Netflix), as well as the second season of This Close for SundanceTV.  Patrick is endorsed by Adobe for his use of Premiere Pro and the Creative Cloud suite.

Additional information:

The Search Form


Associate Producer:
2022  Who Invited Them

Director:
2014  The Solipsist
2022  Who Invited Them
????  Ghostbusters: South Side

Editor:
2014  A Thousand Deaths
2014  The Solipsist
2015  Marshall's Miracle
2015  The Parasite
2016  Affections
2017  Bad Grandmas
2017  Call Your Father
2018  Clara's Ghost
2018  No Good Heroes
2018  Parallel Chords
2018  Silicon Beach
2019  Father Figurine
2019  Stranger Out of You
2019  The Starr Sisters
2020  Scare Me
2021  How to Deter a Robber
2022  Blood Relatives
2022  How Not to Be a Junkie
2022  Who Invited Them
2023  Belle
2023  The Legendary Rick Perry and the Art of Dimension 20
2024  Happy To Help You
2024  The Cockroach
2025  I F*cking Hate You!
2025  Screamboat
2025  Shelby Oaks
????  COGN-AI-TIVE
????  Ghostbusters: South Side
????  Nut Milk in May

Title Designer:
2014  A Thousand Deaths
2014  The Solipsist
2015  Marshall's Miracle
2015  The Parasite
2016  Affections
2017  Bad Grandmas
2017  Call Your Father
2018  Clara's Ghost
2018  No Good Heroes
2018  Parallel Chords
2018  Silicon Beach
2019  Father Figurine
2019  Stranger Out of You
2019  The Starr Sisters
2020  Scare Me
2021  How to Deter a Robber
2022  Blood Relatives
2022  How Not to Be a Junkie
2022  Who Invited Them
2023  Belle
2023  The Legendary Rick Perry and the Art of Dimension 20
2024  Happy To Help You
2024  The Cockroach
2025  I F*cking Hate You!
2025  Screamboat
2025  Shelby Oaks
????  COGN-AI-TIVE
????  Ghostbusters: South Side
????  Nut Milk in May

Editor:
2019  Bonding

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.